I first watched Godzilla Vs Mothra on VHS back in 1995, in widescreen and with English subtitles. It was then, as it remains now, my third favorite Heisei Godzilla film, behind Godzilla Vs Biollante(1989) and Godzilla Vs King Ghidorah(1991). I have, with the passage of time, grown more fond of this movie, which originally debuted in Japanese theaters back in December of 1992. Godzilla Vs Mothra(1992) is directed by Takao Okawara, the special effects courtesy of Koichi Kawakita, and produced by both Shogo Tomiyama and Tomoyuki Tanaka, with the score provided by maestro Akira Ifukube.
Some observations and opinions of this movie, some positive and some not-
Thumbs up:
-The score. At times majestic and particularly pleasing to the ears during many of Mothra's scenes. The score of this film is easily my favorite of all the Heisei G movies.
-The underwater battle between Godzilla and Battra: frenetic and well choreographed. I especially liked the sound effects. There's plenty of action and we get to see Godzilla fire his oral beam underwater, and many times.
-Many of the effects shots in this film are marvelous, including larval Mothra's approach by sea and her engagement with the naval forces, including the sequence where the creature plows through the warship
-Takuya Fujita, the adventurer and thief, comes clean about his theft of "The Cosmos" fairies(to sell them) to his ex wife, presumably because he wants to start over again with her and his daughter: the man finally got his priorities right!
-Takuya Fujita Vs the Marutomo "secretary" Kenji Andoh on the ship: the skirmish actually appeared to be choreographed as a fight and not two grown men attempting to square dance. Both fellows grappled, threw each other around and Fujita landed a couple of solid rights to Andoh's jaw.
-Ken Satsuma, who wore the Godzilla suit in this film: IMO he did an excellent job at projecting Godzilla's menace and generally hostile disposition
-The final battle between Godzilla, Mothra and Battra. While I thought the two winged monsters looked a little stiff at times when flying the overall battle was well choreographed and the monster action was well paced.
Thumbs down:
1. members of the cast watching the final battle from a distance without much of any implied threat to their own safety...despite the fact three huge leviathan monsters are battling it out, and not terribly far away either.
2. Kenji Andoh's use of an alarm clock to ensure he didn't oversleep while on the early Infant Island expedition with Tetsuya Fujita and Fujita's ex wife Masako Tesuka: obviously Andoh couldn't rely on the trademark morning cackle of a rooster since this animal isn't exactly indigenous to a South Pacific island, but after seeing Andoh nervously clutch the alarm clock I half expected to see this fellow produce more gadgets out of his bag, like a small electric plate warmer or portable TV set.
3. the audio of Godzilla's beam sounded a bit too high pitched.
4. Battra's roar was a carbon copy of Rodan's roar. I would have liked seeing Toho employ a distinct and original roar for this monster, perhaps a derivative of Mothra's audio.
The 1998 Region 1 Columbia-Tri Star DVD release of Godzilla Vs Mothra pairs this film with 1991's Godzilla Vs King Ghidorah, both movies cropped to 1:33.1 "full screen" and with English 2.0 audio.
Godzilla Vs Mothra can also be purchased on Region 4/PAL format(Madman Entertainment) and Region 3(DDDHouse.com), both with English subtitles option, the movie in widescreen in both R4 and R3.
The trailer for Godzilla Vs Mothra(1992):
Trailer: Godzilla vs. Mothra -- 1992 - MyVideo
Tuesday, July 21, 2009
Saturday, July 18, 2009
Looks That Kill: The Gorgon(1964)
For the longest time I waited for Hammer Film's The Gorgon(1964) to be released on official DVD. Last year it was, part of the Icons Of Horror: Hammer Films DVD set. Like other "Hammer" horror films, this movie is a moody, atmospheric and downright creepy affair. The movie chronicles the struggles of a small German town that is plagued by a creature, a "Gorgon", that can turn anyone looking directly at it into stone. (no other spoilers)
The cast includes Peter Cushing, Christopher Lee and Barbara Shelley, and is directed by Terence Fisher. Any fan of Hammer horror movies should have Icons Of Horror: Hammer Films in their DVD collection.
The original trailer for The Gorgon(1964):
The cast includes Peter Cushing, Christopher Lee and Barbara Shelley, and is directed by Terence Fisher. Any fan of Hammer horror movies should have Icons Of Horror: Hammer Films in their DVD collection.
The original trailer for The Gorgon(1964):
Saturday, July 11, 2009
Conqueror Worms: Mothra Vs Godzilla(1964)
Recently I watched the original Toho classic Mothra Vs Godzilla(1964) on DVD, in Japanese language and English subtitles. This film is widely considered, and justifiably, among the best of the "Showa" era Godzilla films, which were made from 1954 - 1975. The movie has a serious tone, an entirely believable plot, some memorable villains and overall special effects, including animatronics, miniatures, "suit"mation and other pyrotechnic effects that, while dated compared to today's "green screen" and CGI technology, have nevertheless stood the test of time quite well. The Americanized version of the film, released theatrically in the U.S. as Godzilla Vs The Thing, also includes an additional scene in which American warships fire "Frontier" missiles at Godzilla, a scene that is very well done. For any Godzilla fan who likes seeing this monster portrayed as the bad guy, Mothra Vs Godzilla is a film for you!
More observations about this film, some familiar and perhaps a few that aren't:
Thumbs up:
1. the abundance of high speed filming used to render Godzilla's movements. This lensing technique makes the action of the monster look slower and more realistic, given Godzilla's size
2. the trio of Akira Takarada, Yuriko Hoshi & Hiroshi Koizumi who all play off each other very well
3. the score overall is IMO terrific. The main Godzilla "march" helps enhance the urgent, serious tone of the film
4. many of the miniature effects, by Eiji Tsuburaya and his effects team, are stellar
5. comic relief, though not overdone, by the gruff and no-nonsense newspaper editor "Murata"(Jun Takazi) and his affable but bumbling and perpetually boiled egg eating reporter(played by Yu Fujiki). As personalities go these two are polar opposites.
6. the overall rendering of Mothra, which I thought was outstanding. The wire works staff were no doubt very busy in helping to bring this enormous prop to life in front of the camera
7. the overall battle between Godzilla and Mothra: nothing fancy as both monsters play up to their strengths: Mothra uses her maneuverability advantage in the air, her poison powder and hurricane force winds generated by her flapping wings. Godzilla basically relies on his oral beam, the monster perhaps realizing if he used it enough he would eventually score a hit on his winged adversary(which he did)
8. the JSDF(Japanese Self Defense Force) in this movie: these guys actually planned and carried out their attacks on Godzilla with purpose, unlike in other G films where the JSDF come across as being ineffective, unmotivated dullards. In Mothra Vs Godzilla the JSDF leave no doubt of their intent to not only stop Godzilla but also to try and destroy the creature if possible
9. the rendering of the twin Mothra larvae: well done(using animatronics), the two creature's movements retaining a good degree of realism
10, the presence of some truly despicable villains, in particular "Torahata"(Kenji Sahara), a greedy and arrogant shyster who tries to rip off and subsequently jam up his own business associate, "Kumamaya", himself no upstanding individual either.
11. the "Mosugoji" Godzilla suit. No, I don't like the "wobbling lips" but, forgetting that particular shortcoming, I thought the suit looked great overall
Thumbs down:
1. the sequences of the adult Mothra Vs Godzilla battle where hand puppets are used. I have never been nor will ever be a fan of the puppetry arts
2. the battle between Godzilla and the twin Mothra larvae: I have no problem with the larvae successfully cocooning Godzilla but I do think those tasked with choreographing this battle made things a little too easy on the larvae. I would have liked seeing Godzilla put up more of a fight against the smaller creatures.
The AIP trailer for "Godzilla Vs The Thing":
Godzilla vs. The Thing trailer
More observations about this film, some familiar and perhaps a few that aren't:
Thumbs up:
1. the abundance of high speed filming used to render Godzilla's movements. This lensing technique makes the action of the monster look slower and more realistic, given Godzilla's size
2. the trio of Akira Takarada, Yuriko Hoshi & Hiroshi Koizumi who all play off each other very well
3. the score overall is IMO terrific. The main Godzilla "march" helps enhance the urgent, serious tone of the film
4. many of the miniature effects, by Eiji Tsuburaya and his effects team, are stellar
5. comic relief, though not overdone, by the gruff and no-nonsense newspaper editor "Murata"(Jun Takazi) and his affable but bumbling and perpetually boiled egg eating reporter(played by Yu Fujiki). As personalities go these two are polar opposites.
6. the overall rendering of Mothra, which I thought was outstanding. The wire works staff were no doubt very busy in helping to bring this enormous prop to life in front of the camera
7. the overall battle between Godzilla and Mothra: nothing fancy as both monsters play up to their strengths: Mothra uses her maneuverability advantage in the air, her poison powder and hurricane force winds generated by her flapping wings. Godzilla basically relies on his oral beam, the monster perhaps realizing if he used it enough he would eventually score a hit on his winged adversary(which he did)
8. the JSDF(Japanese Self Defense Force) in this movie: these guys actually planned and carried out their attacks on Godzilla with purpose, unlike in other G films where the JSDF come across as being ineffective, unmotivated dullards. In Mothra Vs Godzilla the JSDF leave no doubt of their intent to not only stop Godzilla but also to try and destroy the creature if possible
9. the rendering of the twin Mothra larvae: well done(using animatronics), the two creature's movements retaining a good degree of realism
10, the presence of some truly despicable villains, in particular "Torahata"(Kenji Sahara), a greedy and arrogant shyster who tries to rip off and subsequently jam up his own business associate, "Kumamaya", himself no upstanding individual either.
11. the "Mosugoji" Godzilla suit. No, I don't like the "wobbling lips" but, forgetting that particular shortcoming, I thought the suit looked great overall
Thumbs down:
1. the sequences of the adult Mothra Vs Godzilla battle where hand puppets are used. I have never been nor will ever be a fan of the puppetry arts
2. the battle between Godzilla and the twin Mothra larvae: I have no problem with the larvae successfully cocooning Godzilla but I do think those tasked with choreographing this battle made things a little too easy on the larvae. I would have liked seeing Godzilla put up more of a fight against the smaller creatures.
The AIP trailer for "Godzilla Vs The Thing":
Godzilla vs. The Thing trailer
Monday, July 6, 2009
Spaced Invaders: Godzilla Vs Gigan(1972)
I first saw this movie on TBS Superstation back in 1987 in the attic apartment of a friend and co-worker on a sunny Saturday afternoon. I wanted my friend "Robert" to tape the movie but his VCR crapped out. Too bad too because it would be about eight more years before I would watch this film again, in the summer of 1995.
Having watched Godzilla Vs Gigan last night(Sunday) took me back to the year 1995 when I first saw this movie uncut, in widescreen and with English subtitles, on VHS, the tape one of many I had ordered from a now defunct bootlegger catalog video company located in New York state.
Godzilla Vs Gigan is one of the few G movies I've watched in which my overall opinion of it hasn't changed, for better or worse, with repeated viewings. I've always liked many things about this movie...and always disliked many things as well.
The film's story: Mild mannered and milquetoast magazine artist/cartoonist Genko Kotaka(Hiroshi Ishikawa) begins to believe there's something very wrong with the employees of "World Children's Land", a Japan branch of an international theme park corporation whose main office is located in Switzerland. His suspicions are justified: the employees, including the leader of the park, Kubota(Toshiaki Nishizawa), and the youthful Fumio Sudo(Zan Fujita) are all roach-like insectoid aliens from the Space Hunter M galaxy with designs on sanitizing, then colonizing the Earth. The aliens are able to occupy human bodies and hence draw little attention among themselves while they effect their devious plans. A mysterious audio reel tape, earlier confiscated by a young lady named Machiko Shima, is played, by accident, by Kotaka and Machiko(Tomoko Umeda), whose brother is being held captive by the aliens.
The tape is little more than gibberish to Genko Kotaka and Machiro Ishima, but not to Godzilla and Anguirus, the two monsters able to detect and understand the tape's message. Consequently, Godzilla dispatches Anguirus to make landfall in Japan and deal with the situation. The JSDF drive Anguirus off while a short time later the space monsters King Ghidorah and Gigan, controlled by the insectoid aliens, arrive on Earth and begin a rampage of destruction, the monster's actions the first phase in the alien's plans to colonizes the Earth. Godzilla and Anguirus arrive, eventually, and square off against the alien controlled monsters. The human cast members, Genko Kotaka, his girlfriend Tomoko Tomoe(Yuriko Hishimi), Machiko Shima, her brother Takashi Shima(Kunio Murai) and her friend Shosaku Takasugi(Minoru Takashima), all work together as well to defeat the aliens...(no other spoilers)
Observations, some good and some not so good:
Thumbs up:
1. the pyrotechnic effects in this film. Teruyoshi Nakano, the special effects director for this movie really delivers with the explosions, both those resulting from the monster's rampage and also those resulting from the monster battles
2. King Ghidorah's gravity beams, which look as devastating as ever
3. the overall rendering of the cyborg monster Gigan. The monster lacks a beam weapon but is very hostile and has a scary looking buzz saw built into its chest and abdomen. It's roar is effective as well and has a mechanical quality to it
4. the battle between Godzilla and Gigan, which looks to be entirely comprised of high speed filming, which slows the monster's actions and movements down, IMO adding some realism to the sequence
5. Yuriko Hishimi, who plays Kotaka's girlfriend "Tomoko Tomoe". She's gorgeous and, skilled in karate, gets to kick some alien ass as well
6. the overall "oil refinery" battle sequence: Godzilla and Anguirus make landfall for the first time to engage KG and Gigan. This scene is one of my favorite Showa Godzilla film kaiju battle sequences.
Thumbs down:
1. the many insertions of stock footage. Most are annoying but there's one sequence where a scene(or two) from 1964's Ghidrah The Three Headed Monster is used, which looks horrendous
2. the character played by Minoru Takashima, "Shosaku Takasugi": a portly hippie, leering and sporting a half assed scruff of chin hair while constantly nibbling on a stick of corn on the cob, there were times in this movie when I would have liked sticking that corn on the cob in various orifices of this character
3. the colossal ineptitude of the aliens in this movie: despite their advanced technology they were done in by the simple, yet effective, duplicity of the human cast members, including the "mural", in which alien henchmen, believing the mural to be the actual humans, fire away with their weapons, which quickly sets off a chain reaction of explosions that destroy the theme park tower base used by the aliens
4. Godzilla's sudden resurrection after being thrown into the 50 meter tall theme tower by KG. Godzilla, weakened by the laser beam assault from the aliens(in the tower), is suddenly and inexplicably rejuvenated after crashing into the tower. My reaction to this scene remains the same now as it was back in 1987: "What the hell?"
5. some of the human like mannerisms of the monsters, such as Godzilla appearing to wipe his mouth twice, waving at Anguirus to swim off to Japan during an early sequence in the movie, and then slapping himself in the side of the head when seeing the alien's tower, which has been designed to look like Godzilla
Overall: I like this movie just fine but it's no doubt hit or miss with many G fans because of the often wildly uneven effects.
This film reached American theaters in 1977, distributed by Cinemashares, and re-titled "Godzilla On Monster Island".
In 2004 Sony Home Entertainment released this movie to quality Region 1 DVD, the movie presented in its original 2:35.1 widescreen aspect ratio and with optional Japanese language(w/English subtitles) and English language(the international English language track) selection.
The Toho trailer:
Having watched Godzilla Vs Gigan last night(Sunday) took me back to the year 1995 when I first saw this movie uncut, in widescreen and with English subtitles, on VHS, the tape one of many I had ordered from a now defunct bootlegger catalog video company located in New York state.
Godzilla Vs Gigan is one of the few G movies I've watched in which my overall opinion of it hasn't changed, for better or worse, with repeated viewings. I've always liked many things about this movie...and always disliked many things as well.
The film's story: Mild mannered and milquetoast magazine artist/cartoonist Genko Kotaka(Hiroshi Ishikawa) begins to believe there's something very wrong with the employees of "World Children's Land", a Japan branch of an international theme park corporation whose main office is located in Switzerland. His suspicions are justified: the employees, including the leader of the park, Kubota(Toshiaki Nishizawa), and the youthful Fumio Sudo(Zan Fujita) are all roach-like insectoid aliens from the Space Hunter M galaxy with designs on sanitizing, then colonizing the Earth. The aliens are able to occupy human bodies and hence draw little attention among themselves while they effect their devious plans. A mysterious audio reel tape, earlier confiscated by a young lady named Machiko Shima, is played, by accident, by Kotaka and Machiko(Tomoko Umeda), whose brother is being held captive by the aliens.
The tape is little more than gibberish to Genko Kotaka and Machiro Ishima, but not to Godzilla and Anguirus, the two monsters able to detect and understand the tape's message. Consequently, Godzilla dispatches Anguirus to make landfall in Japan and deal with the situation. The JSDF drive Anguirus off while a short time later the space monsters King Ghidorah and Gigan, controlled by the insectoid aliens, arrive on Earth and begin a rampage of destruction, the monster's actions the first phase in the alien's plans to colonizes the Earth. Godzilla and Anguirus arrive, eventually, and square off against the alien controlled monsters. The human cast members, Genko Kotaka, his girlfriend Tomoko Tomoe(Yuriko Hishimi), Machiko Shima, her brother Takashi Shima(Kunio Murai) and her friend Shosaku Takasugi(Minoru Takashima), all work together as well to defeat the aliens...(no other spoilers)
Observations, some good and some not so good:
Thumbs up:
1. the pyrotechnic effects in this film. Teruyoshi Nakano, the special effects director for this movie really delivers with the explosions, both those resulting from the monster's rampage and also those resulting from the monster battles
2. King Ghidorah's gravity beams, which look as devastating as ever
3. the overall rendering of the cyborg monster Gigan. The monster lacks a beam weapon but is very hostile and has a scary looking buzz saw built into its chest and abdomen. It's roar is effective as well and has a mechanical quality to it
4. the battle between Godzilla and Gigan, which looks to be entirely comprised of high speed filming, which slows the monster's actions and movements down, IMO adding some realism to the sequence
5. Yuriko Hishimi, who plays Kotaka's girlfriend "Tomoko Tomoe". She's gorgeous and, skilled in karate, gets to kick some alien ass as well
6. the overall "oil refinery" battle sequence: Godzilla and Anguirus make landfall for the first time to engage KG and Gigan. This scene is one of my favorite Showa Godzilla film kaiju battle sequences.
Thumbs down:
1. the many insertions of stock footage. Most are annoying but there's one sequence where a scene(or two) from 1964's Ghidrah The Three Headed Monster is used, which looks horrendous
2. the character played by Minoru Takashima, "Shosaku Takasugi": a portly hippie, leering and sporting a half assed scruff of chin hair while constantly nibbling on a stick of corn on the cob, there were times in this movie when I would have liked sticking that corn on the cob in various orifices of this character
3. the colossal ineptitude of the aliens in this movie: despite their advanced technology they were done in by the simple, yet effective, duplicity of the human cast members, including the "mural", in which alien henchmen, believing the mural to be the actual humans, fire away with their weapons, which quickly sets off a chain reaction of explosions that destroy the theme park tower base used by the aliens
4. Godzilla's sudden resurrection after being thrown into the 50 meter tall theme tower by KG. Godzilla, weakened by the laser beam assault from the aliens(in the tower), is suddenly and inexplicably rejuvenated after crashing into the tower. My reaction to this scene remains the same now as it was back in 1987: "What the hell?"
5. some of the human like mannerisms of the monsters, such as Godzilla appearing to wipe his mouth twice, waving at Anguirus to swim off to Japan during an early sequence in the movie, and then slapping himself in the side of the head when seeing the alien's tower, which has been designed to look like Godzilla
Overall: I like this movie just fine but it's no doubt hit or miss with many G fans because of the often wildly uneven effects.
This film reached American theaters in 1977, distributed by Cinemashares, and re-titled "Godzilla On Monster Island".
In 2004 Sony Home Entertainment released this movie to quality Region 1 DVD, the movie presented in its original 2:35.1 widescreen aspect ratio and with optional Japanese language(w/English subtitles) and English language(the international English language track) selection.
The Toho trailer:
Tuesday, June 30, 2009
Race Relations: Godzilla Vs Megalon(1973)
Anyone who knows me will tell you I like all Godzilla movies. There are obviously some I like a whole lot more than others. There are also Godzilla movies that, I believe, are unfairly slammed. Godzilla Vs Megalon is one such movie, directed by Jun Fukuda, produced by Tomoyuki Tanaka and originally released to theaters in Japan back in March, 1973.
I am not now, nor will I ever in the future, try to convince anyone that this movie is a terrific Godzilla film because IMO it isn't. Still, over the years this movie has grown on me, not a lot to be sure but enough that I now like viewing Godzilla Vs Megalon on an annual basis...and sober.
The film's story: a subterranean race called the "Seatopians", fed up with mankind's atomic bomb testing and the adverse effects on their civilization these explosive devices are having, decide to open up a can of whoop ass on humanity. To effect their hostilities on human-kind the Seatopians dispatch a huge, beetle like, winged monster named Megalon to wage a rampage of destruction on Earth's surface. The Seatopians, despite their superior technology, cannot effectively navigate their insect-like monster on the Earth's surface and consequently send agents to abduct a special robot, named Jet Jaguar, from an inventor named "Goro Ibuki". Ibuki, understandably opposed to losing his prized robot, fights back, aided by his friend "Jinko"(Jinkawa) and Ibuki's kid brother "Rakuro". The trio regain control of Jet Jaguar from the Seatopian agents, and Jet Jaguar flies to Monster Island to ask Godzilla for help in dealing with Megalon. Jet Jaguar returns and, morphing into a 50 meter tall giant, battles Megalon. The Seatopians secure the services of the cyborg space monster Gigan from their Space Hunter galaxy allies: Gigan arrives quickly on Earth and joins Megalon. Together the two monsters quickly overwhelm Jet Jaguar. Just when Jet Jaguar appears to be done in by the two monsters Godzilla arrives to help "JJ"...(no other spoilers)
Observations, some good and some not so good:
Thumbs up:
-the rendering of Jet Jaguar in the film. I've seen this robot described as "an Ultraman rip off". Perhaps. I still like the design overall and the dash of color in JJ's design.
-many special effects shots in this film are marvelous, including the "dam" scene, the sequence where Megalon destroys the bridge, blasting the structure apart with its drill like appendage, and the lake draining out(near the beginning of the film)
-the pyrotechnic effects are quite good, no surprise here with Teruyoshi Nakano handling the SPFX for this movie: the movie's opening sequence starts off with a bang, literally, as there are lots of explosions and other various blasts leading into the movie's opening title credits. These explosion effects do not IMO make up for other effects shortcomings in this film but they do make it, at least for me, somewhat easier to overlook while watching this movie.
-the fight scenes and car chase scene: both added a nice bit of human action to the film, despite my disdain for the choreography of the fights, which I thought were sub par, limited to sloppy hand strikes and basic scuffling
-the rendering of Megalon: I liked the monster's overall appearance and it's beam firing horn, and exploding rocks launched from its mandibles
Thumbs down:
-the attire worn by Seatopia's leader "Emperor Antonio"(played by Robert Dunham), which looked like something out of the Broadway play for "I, Claudius".
-the stock footage is abundant in this film and used to horrendous excess
-the movements of Megalon during the scenes where the monster leaps. The creature's movements during the "leaping" sequences appear sloppy and awkward
-the ineptitude of the Seatopians in this film. This race possessed superior technology, as was boasted by one of their agents to "Jinko", yet their plans were completely thwarted by an inventor, his friend, a young boy and a resourceful robot, neither of these characters apparently needing much of any help from the JSDF
-the often lack of high speed filming in the kaiju battles
Godzilla Vs Megalon has seen a wide variety of releases on VHS and has also appeared in an episode of "Mystery Science Theater 3000", dissected by Tom Servo and friends. In 1976 this film was released by Cinemashares to American theaters in English dubbed language. It would be broadcast on NBC in 1977 as an hour long feature, hosted by a Godzilla suited and up and coming comedian named John Belushi, the movie butchered down to an hour run time.
Reading about this movie I was interested to discover that Godzilla Vs Megalon has no major female character in it, the only Godzilla movie lacking a female lead of some kind. The movie itself was originally planned as a "Jet Jaguar Vs Megalon" feature but Toho eventually decided that Jet Jaguar wouldn't be able to carry the movie theatrically, so a new screenplay was hastily written to include Godzilla and Gigan. The movie, subsequent to this change, was filmed in all of three weeks!
Anyone who has not seen Godzilla Vs Megalon should watch this movie uncut, in its original widescreen(2:35.1) aspect ratio and in its original language(with English subtitles if possible). The various cheapie VHS tapes of this movie on the market do this movie a disservice, with their chopped down run times and generally grainy prints.
This film is available on official Region 2/NTSC format DVD(no English subtitles) and on Region 4/PAL format DVD, the latter from Australia's "Madman Entertainment" website.
The film can also be had from various online retailers who sell DVD-R's of the movie. Here's the URL to see the film on Region 4/PAL format DVD for sale at "Madman Entertainment": http://www.madman.com.au/actions/catalogue.do?releaseId=6604&method=view
(you can also access this link by clicking the title of this blog)
The original Toho trailer for the film:
I am not now, nor will I ever in the future, try to convince anyone that this movie is a terrific Godzilla film because IMO it isn't. Still, over the years this movie has grown on me, not a lot to be sure but enough that I now like viewing Godzilla Vs Megalon on an annual basis...and sober.
The film's story: a subterranean race called the "Seatopians", fed up with mankind's atomic bomb testing and the adverse effects on their civilization these explosive devices are having, decide to open up a can of whoop ass on humanity. To effect their hostilities on human-kind the Seatopians dispatch a huge, beetle like, winged monster named Megalon to wage a rampage of destruction on Earth's surface. The Seatopians, despite their superior technology, cannot effectively navigate their insect-like monster on the Earth's surface and consequently send agents to abduct a special robot, named Jet Jaguar, from an inventor named "Goro Ibuki". Ibuki, understandably opposed to losing his prized robot, fights back, aided by his friend "Jinko"(Jinkawa) and Ibuki's kid brother "Rakuro". The trio regain control of Jet Jaguar from the Seatopian agents, and Jet Jaguar flies to Monster Island to ask Godzilla for help in dealing with Megalon. Jet Jaguar returns and, morphing into a 50 meter tall giant, battles Megalon. The Seatopians secure the services of the cyborg space monster Gigan from their Space Hunter galaxy allies: Gigan arrives quickly on Earth and joins Megalon. Together the two monsters quickly overwhelm Jet Jaguar. Just when Jet Jaguar appears to be done in by the two monsters Godzilla arrives to help "JJ"...(no other spoilers)
Observations, some good and some not so good:
Thumbs up:
-the rendering of Jet Jaguar in the film. I've seen this robot described as "an Ultraman rip off". Perhaps. I still like the design overall and the dash of color in JJ's design.
-many special effects shots in this film are marvelous, including the "dam" scene, the sequence where Megalon destroys the bridge, blasting the structure apart with its drill like appendage, and the lake draining out(near the beginning of the film)
-the pyrotechnic effects are quite good, no surprise here with Teruyoshi Nakano handling the SPFX for this movie: the movie's opening sequence starts off with a bang, literally, as there are lots of explosions and other various blasts leading into the movie's opening title credits. These explosion effects do not IMO make up for other effects shortcomings in this film but they do make it, at least for me, somewhat easier to overlook while watching this movie.
-the fight scenes and car chase scene: both added a nice bit of human action to the film, despite my disdain for the choreography of the fights, which I thought were sub par, limited to sloppy hand strikes and basic scuffling
-the rendering of Megalon: I liked the monster's overall appearance and it's beam firing horn, and exploding rocks launched from its mandibles
Thumbs down:
-the attire worn by Seatopia's leader "Emperor Antonio"(played by Robert Dunham), which looked like something out of the Broadway play for "I, Claudius".
-the stock footage is abundant in this film and used to horrendous excess
-the movements of Megalon during the scenes where the monster leaps. The creature's movements during the "leaping" sequences appear sloppy and awkward
-the ineptitude of the Seatopians in this film. This race possessed superior technology, as was boasted by one of their agents to "Jinko", yet their plans were completely thwarted by an inventor, his friend, a young boy and a resourceful robot, neither of these characters apparently needing much of any help from the JSDF
-the often lack of high speed filming in the kaiju battles
Godzilla Vs Megalon has seen a wide variety of releases on VHS and has also appeared in an episode of "Mystery Science Theater 3000", dissected by Tom Servo and friends. In 1976 this film was released by Cinemashares to American theaters in English dubbed language. It would be broadcast on NBC in 1977 as an hour long feature, hosted by a Godzilla suited and up and coming comedian named John Belushi, the movie butchered down to an hour run time.
Reading about this movie I was interested to discover that Godzilla Vs Megalon has no major female character in it, the only Godzilla movie lacking a female lead of some kind. The movie itself was originally planned as a "Jet Jaguar Vs Megalon" feature but Toho eventually decided that Jet Jaguar wouldn't be able to carry the movie theatrically, so a new screenplay was hastily written to include Godzilla and Gigan. The movie, subsequent to this change, was filmed in all of three weeks!
Anyone who has not seen Godzilla Vs Megalon should watch this movie uncut, in its original widescreen(2:35.1) aspect ratio and in its original language(with English subtitles if possible). The various cheapie VHS tapes of this movie on the market do this movie a disservice, with their chopped down run times and generally grainy prints.
This film is available on official Region 2/NTSC format DVD(no English subtitles) and on Region 4/PAL format DVD, the latter from Australia's "Madman Entertainment" website.
The film can also be had from various online retailers who sell DVD-R's of the movie. Here's the URL to see the film on Region 4/PAL format DVD for sale at "Madman Entertainment": http://www.madman.com.au/actions/catalogue.do?releaseId=6604&method=view
(you can also access this link by clicking the title of this blog)
The original Toho trailer for the film:
Sunday, June 28, 2009
Michael Jackson, 1958-2009
I was shocked and deeply saddened by the recent death of iconic entertainer Michael Jackson. I grew up listening to him, and his brothers, as "The Jackson 5", and then enjoyed Michael Jackson's solo efforts on albums like Off The Wall(1979), Thriller(1982), Bad(1987) and Dangerous(1991). There's nothing I can say that hasn't already been said about this legendary singer and performer: his contributions to the music industry are immeasurable. His positive influence on fans all over the world is remarkable and will, I hope, keep his legacy, and spirit, alive for decades to come.
My all time favorite music video, and one I think is among the best music videos I have ever seen, is "Thriller", directed by John Landis. This video, based on the song of the same name from the 1982 album Thriller, combines all the elements we have come to expect, and cherish, from Michael Jackson: the dance moves, the choreography, as well as the makeup effects. More than anything, this is simply Michael Jackson doing what he does best.
May he Rest In Peace.
Michael Jackson's "Thriller":
My all time favorite music video, and one I think is among the best music videos I have ever seen, is "Thriller", directed by John Landis. This video, based on the song of the same name from the 1982 album Thriller, combines all the elements we have come to expect, and cherish, from Michael Jackson: the dance moves, the choreography, as well as the makeup effects. More than anything, this is simply Michael Jackson doing what he does best.
May he Rest In Peace.
Michael Jackson's "Thriller":
Wednesday, June 24, 2009
Pincer Movement : Godzilla Vs The Sea Monster(1966)
While legendary Toho director Inoshiro Honda gets the vast majority of props from die hard Godzilla movie fans, there's also, I think, a lot to be said for director Jun Fukuda. In interviews Fukuda has expressed disdain for the Godzilla films he directed. Nevertheless, Fukuda's Godzilla movies are always entertaining and action packed, including the first Godzilla movie directed by him: Godzilla Vs The Sea Monster, aka "Ebirah Horror Of The Deep", which originally opened in Japanese theaters back in 1966.
Now that I watch almost all my DVDs using my Blu-Ray DVD player I was interested to see how many of these Sony DVD releases of the Showa Godzilla films would look. I wasn't disappointed as Godzilla Vs The Sea Monster, like the other CM releases, looks noticeably better in the Blu-Ray player, the array of colors, including lots of yellows and reds, really standing out.
Some observations about this movie -
Thumbs up:
- the overall design of Ebirah, an enormous marine arthropod that menaces the islanders and, at the end, even the Red Bamboo. I'll be the first to admit this giant crustacean isn't my favorite kaiju. That said I thought it looked fairly realistic, including its antennae, claws and mandibles
- Kumi Mizuno: what a beautiful woman and we get to see her in a skimpier outfit for the duration of the film
- the generous use of high speed filming
- parts of the cinematography of this film looked very good, especially certain shots of the islands
- Godzilla Vs Ebirah I and II: I liked both battles overall, despite some aspects of the fights I didn't like(see "Thumbs down" below). Ebirah, despite having no beam weapon or other special power gave Godzilla a fairly good physical battle
- Haruo Nakajima turned in another solid performance in the G suit, utilizing his famous "attack" and "stalking" postures to great effect
- the brief skirmish between Mothra and Godzilla, a reminder that these two monsters will not be exchanging Christmas cards anytime soon
Thumbs down:
- certain matte shots and other effects shots were sub par, including the visibility of the wires, regarding both Mothra and Ebirah
- the Godzilla suit is clearly showing wear and tear in this film, evidenced by the sag in the suit under the arms
- the huge monster sized condor who attacked Godzilla. This Rodan wannabe seemed a little out of place in this movie and was, not surprisingly, dispatched easily by Godzilla's oral beam
- many of the water tank shots looked...well, too much like water tanks.
The film's trailer:
Now that I watch almost all my DVDs using my Blu-Ray DVD player I was interested to see how many of these Sony DVD releases of the Showa Godzilla films would look. I wasn't disappointed as Godzilla Vs The Sea Monster, like the other CM releases, looks noticeably better in the Blu-Ray player, the array of colors, including lots of yellows and reds, really standing out.
Some observations about this movie -
Thumbs up:
- the overall design of Ebirah, an enormous marine arthropod that menaces the islanders and, at the end, even the Red Bamboo. I'll be the first to admit this giant crustacean isn't my favorite kaiju. That said I thought it looked fairly realistic, including its antennae, claws and mandibles
- Kumi Mizuno: what a beautiful woman and we get to see her in a skimpier outfit for the duration of the film
- the generous use of high speed filming
- parts of the cinematography of this film looked very good, especially certain shots of the islands
- Godzilla Vs Ebirah I and II: I liked both battles overall, despite some aspects of the fights I didn't like(see "Thumbs down" below). Ebirah, despite having no beam weapon or other special power gave Godzilla a fairly good physical battle
- Haruo Nakajima turned in another solid performance in the G suit, utilizing his famous "attack" and "stalking" postures to great effect
- the brief skirmish between Mothra and Godzilla, a reminder that these two monsters will not be exchanging Christmas cards anytime soon
Thumbs down:
- certain matte shots and other effects shots were sub par, including the visibility of the wires, regarding both Mothra and Ebirah
- the Godzilla suit is clearly showing wear and tear in this film, evidenced by the sag in the suit under the arms
- the huge monster sized condor who attacked Godzilla. This Rodan wannabe seemed a little out of place in this movie and was, not surprisingly, dispatched easily by Godzilla's oral beam
- many of the water tank shots looked...well, too much like water tanks.
The film's trailer:
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Wednesday, June 17, 2009
Some Like It Hot: Hellraiser(1987)
Jason Voorhees, Michael Myers, Chucky, Cropsy, Candyman, The Creeper, Leatherface and Freddy Krueger all get major props from me for being the horror icons that they are. The one character in horror movies I always enjoy watching the most, however, is "Pinhead", who first appeared in the 1987 horror movie Hellraiser, directed by Clive Barker. Pinhead, played masterfully by Doug Bradley, would appear in many sequels to the 1987 film. Still, I prefer the first film in this franchise. I recently bought the twentieth anniversary special edition DVD of this movie which is available for sale at many online retailers, including Amazon: http://www.amazon.com/gp/product/B000UVV23I
(you can also see this DVD by clicking the title of this blog)
The film's trailer:
(you can also see this DVD by clicking the title of this blog)
The film's trailer:
Monday, June 8, 2009
House-warming: Amityville 3 - The Demon(1983)
I've always had a great fondness for horror movies about haunted houses. The Haunting(1963), directed by Robert Wise, is still my absolute favorite and I think one of the best "haunted house" movies ever produced. Obviously there are more films featuring haunted abodes that litter the movie "landscape", some good and some bad. One film that rates as bad, but one I still have a lot of fun watching, is Amityville 3 - The Demon, directed by Richard Fleischer and originally opening in theaters back in November of 1983.
The film's story: "Reveal" magazine writer John Baxter buys a Long Island house from a local realtor named Clifford Sanders, despite the house's long history of purported ghosts and spirits borne out of a horrifying family tragedy many years before. Baxter settles in inside the house, even invites his daughter to inspect the home. Baxter's purchase of this house, not surprisingly, sets off a chain of events that result in the deaths of many people close to him, both personally and professionally. In the end Baxter seeks out the help of a paranormal scientist, Eliott West, to find the answers to these mysterious deaths.
This film is noticeably campier than the two previous "Amityville" movies. Tony Roberts is solid as "John Baxter", Tess Harper portraying Baxter's estranged and presumably soon to be ex wife, "Nancy". Lori Loughlin plays Baxter's daughter "Susan" and a young Meg Ryan is Susan's friend 'Lisa". These and the other characters of this movie are all serviceable but the star attraction of the third "Amityville" film is the house itself. Admittedly, the special effects could have been a lot better but the Amityville house, despite the effects shortcomings, definitely takes on a life of its own.
Several sequences do well to hold my attention regarding the otherworldly and, turns out, demonic effects going on in this creepy abode: the realtor Sanders(played by John Harkins) has a particularly unpleasant experience with flies, Baxter's daughter "Susan" goes on a sailing trip to hell, literally, Baxter's photographer assistant Melanie meets with a sudden and gruesome demise and paranormal researcher "Elliott West"(played by Robert Joy) has an up close and personal encounter with the demon in the basement of the house.
Creaking doors, slamming doors and thumps and bumps are expected in any "haunted house" film and they're present here, as well as a hole in the basement described by those familiar with the house as "a gateway to hell", a description that later in the movie becomes reality. There's also a nasty and very hostile demonic force at work in this film, manifest in the form of a fly for a great portion of the movie. Thankfully the entire appearance of the demon isn't revealed until the end of the movie: the monster won't scare the hell out of veteran horror movie buffs like me but it's sufficiently hideous enough to perhaps evoke a jump or two from someone who doesn't watch many horror movies.
The film's teaser trailer:
Teaser - Amityville 3-D
The film's story: "Reveal" magazine writer John Baxter buys a Long Island house from a local realtor named Clifford Sanders, despite the house's long history of purported ghosts and spirits borne out of a horrifying family tragedy many years before. Baxter settles in inside the house, even invites his daughter to inspect the home. Baxter's purchase of this house, not surprisingly, sets off a chain of events that result in the deaths of many people close to him, both personally and professionally. In the end Baxter seeks out the help of a paranormal scientist, Eliott West, to find the answers to these mysterious deaths.
This film is noticeably campier than the two previous "Amityville" movies. Tony Roberts is solid as "John Baxter", Tess Harper portraying Baxter's estranged and presumably soon to be ex wife, "Nancy". Lori Loughlin plays Baxter's daughter "Susan" and a young Meg Ryan is Susan's friend 'Lisa". These and the other characters of this movie are all serviceable but the star attraction of the third "Amityville" film is the house itself. Admittedly, the special effects could have been a lot better but the Amityville house, despite the effects shortcomings, definitely takes on a life of its own.
Several sequences do well to hold my attention regarding the otherworldly and, turns out, demonic effects going on in this creepy abode: the realtor Sanders(played by John Harkins) has a particularly unpleasant experience with flies, Baxter's daughter "Susan" goes on a sailing trip to hell, literally, Baxter's photographer assistant Melanie meets with a sudden and gruesome demise and paranormal researcher "Elliott West"(played by Robert Joy) has an up close and personal encounter with the demon in the basement of the house.
Creaking doors, slamming doors and thumps and bumps are expected in any "haunted house" film and they're present here, as well as a hole in the basement described by those familiar with the house as "a gateway to hell", a description that later in the movie becomes reality. There's also a nasty and very hostile demonic force at work in this film, manifest in the form of a fly for a great portion of the movie. Thankfully the entire appearance of the demon isn't revealed until the end of the movie: the monster won't scare the hell out of veteran horror movie buffs like me but it's sufficiently hideous enough to perhaps evoke a jump or two from someone who doesn't watch many horror movies.
The film's teaser trailer:
Teaser - Amityville 3-D
Monday, June 1, 2009
Bad Vibes: From Beyond(1986)
Actor Jeffrey Combs became something of an iconic figure with his performance as "Dr. Herbert West" in the 1985 horror movie Re-Animator, this movie helmed by Stuart Gordon and a wild, zany affair replete with over the top violence, gore, lots of blood, deadpan one liners and terrific makeup effects. In 2003 Combs reprised the role in Beyond Re-Animator.
While I like Combs in these films, based on an H.P. Lovecraft story, there's another horror movie, also based on an H.P.Lovecraft tale, that puts the skills of this actor on display: From Beyond, also directed by Stuart Gordon and starring Jeffrey Combs, Ted Sorel, Barbara Crampton and Ken Foree.
The film's story: genius physicist Dr. Edward Pretorius(played by Ted Sorel), has built a machine to stimulate the pineal gland, believing that this bodily organ, when aroused, develops into an extra "sense". His loyal assistant, Dr. Crawford Tillingast(played by Jeffrey Combs), turns on the powerful device, called "The Resonator".
The machine, turns out, does work. Tillingast, alarmed by the machine's effects on him, wants to turn it off. Not so for Dr. Pretorius. The "Resonator" generates a glowing magnetic field...and apparently something else: another dimension, filled with levitating, ravenous airborne worm like creatures and another worm like creature that dines on Dr. Pretorius' head, killing the physicist. Tillingast, understandably horrified at his mentor's death, flees the house and is arrested and promptly locked up for the murder of his employer and mentor, Pretorius. A beautiful psychiatrist, Dr. McMichaels, comes along(played by Barbara Crampton), interviews Tillingast, believes his story and description of Pretorius' ultimate fate, and takes Tillingast back to the house and it's attic lab to turn the machine back on. A cop(played by Ken Foree) accompanies the two back to Dr. Pretorius' house and hangs around, much to his chagrin, for the shenanigans that follow.
Predictably, the machine is turned back on and we see Dr. Pretorius now incarnate as this other dimension worm like monster, able to shape shift and displaying a decidedly sadistic streak in addition to its appetite for human heads. After a second round of horror at the house, Tillingast, now bald from nearly being devoured by the worm-Pretorius thing, is hospitalized and rapidly transforms into a potato headed looking freak, his ghoulish appearance aided by the pineal gland that now appears, snake like from his forehead. Both the psychiatrist and Tillingast go back to the house of horrors one last time for a final showdown with the monstrosity that was Dr. Pretorius.
Observations: The makeup effects are stellar and impress. The animatronic effects are serviceable. Clearly the person, or persons, tasked with designing the Pretorius-creature had a vivid imagination. I would suggest anyone who needs to periodically make themselves vomit with a finger down their throat simply watch certain sequences of this movie instead. I'm certain the bile will develop considerably more quickly watching select scenes from this film, especially Tillingast's second stay at the hospital when, not satisfied with the hospital's food, he quickly opts to incorporate human brain matter into his diet.
Jeffrey Combs is IMO terrific as the sympathetic and victimized scientist. Barbara Crampton is solid and her "dominatrix" scene is memorable, well, it would be for any straight males, I would think. Ken Foree is, well Ken Foree, a big, rangy man who talks and shoots straight. The "Resonator" machine effects are not spectacular but contain just enough lights and menacing noises to ensure that the viewer gets the impression nothing good can possibly come from having this thing turned on.
MGM released From Beyond as an unrated "Director's Cut" DVD back in September, 2007 and it's the definitive DVD release of this movie, stocked with many extras. This DVD presents the movie in it's original widescreen aspect ratio of 1:85.1.
From Beyond(1986) is one of my favorite '80s horror movies: it both sickens and fascinates at the same time, not an altogether easy thing to do, back then...and now.
The "Unrated Director's Cut" DVD for sale at Amazon.com: http://www.amazon.com/Beyond-Unrated-Directors-Cut/dp/B000RPCK2O/ref=sr_1_1?ie=UTF8&s=dvd&qid=1243900380&sr=1-1
The trailer for From Beyond:
While I like Combs in these films, based on an H.P. Lovecraft story, there's another horror movie, also based on an H.P.Lovecraft tale, that puts the skills of this actor on display: From Beyond, also directed by Stuart Gordon and starring Jeffrey Combs, Ted Sorel, Barbara Crampton and Ken Foree.
The film's story: genius physicist Dr. Edward Pretorius(played by Ted Sorel), has built a machine to stimulate the pineal gland, believing that this bodily organ, when aroused, develops into an extra "sense". His loyal assistant, Dr. Crawford Tillingast(played by Jeffrey Combs), turns on the powerful device, called "The Resonator".
The machine, turns out, does work. Tillingast, alarmed by the machine's effects on him, wants to turn it off. Not so for Dr. Pretorius. The "Resonator" generates a glowing magnetic field...and apparently something else: another dimension, filled with levitating, ravenous airborne worm like creatures and another worm like creature that dines on Dr. Pretorius' head, killing the physicist. Tillingast, understandably horrified at his mentor's death, flees the house and is arrested and promptly locked up for the murder of his employer and mentor, Pretorius. A beautiful psychiatrist, Dr. McMichaels, comes along(played by Barbara Crampton), interviews Tillingast, believes his story and description of Pretorius' ultimate fate, and takes Tillingast back to the house and it's attic lab to turn the machine back on. A cop(played by Ken Foree) accompanies the two back to Dr. Pretorius' house and hangs around, much to his chagrin, for the shenanigans that follow.
Predictably, the machine is turned back on and we see Dr. Pretorius now incarnate as this other dimension worm like monster, able to shape shift and displaying a decidedly sadistic streak in addition to its appetite for human heads. After a second round of horror at the house, Tillingast, now bald from nearly being devoured by the worm-Pretorius thing, is hospitalized and rapidly transforms into a potato headed looking freak, his ghoulish appearance aided by the pineal gland that now appears, snake like from his forehead. Both the psychiatrist and Tillingast go back to the house of horrors one last time for a final showdown with the monstrosity that was Dr. Pretorius.
Observations: The makeup effects are stellar and impress. The animatronic effects are serviceable. Clearly the person, or persons, tasked with designing the Pretorius-creature had a vivid imagination. I would suggest anyone who needs to periodically make themselves vomit with a finger down their throat simply watch certain sequences of this movie instead. I'm certain the bile will develop considerably more quickly watching select scenes from this film, especially Tillingast's second stay at the hospital when, not satisfied with the hospital's food, he quickly opts to incorporate human brain matter into his diet.
Jeffrey Combs is IMO terrific as the sympathetic and victimized scientist. Barbara Crampton is solid and her "dominatrix" scene is memorable, well, it would be for any straight males, I would think. Ken Foree is, well Ken Foree, a big, rangy man who talks and shoots straight. The "Resonator" machine effects are not spectacular but contain just enough lights and menacing noises to ensure that the viewer gets the impression nothing good can possibly come from having this thing turned on.
MGM released From Beyond as an unrated "Director's Cut" DVD back in September, 2007 and it's the definitive DVD release of this movie, stocked with many extras. This DVD presents the movie in it's original widescreen aspect ratio of 1:85.1.
From Beyond(1986) is one of my favorite '80s horror movies: it both sickens and fascinates at the same time, not an altogether easy thing to do, back then...and now.
The "Unrated Director's Cut" DVD for sale at Amazon.com: http://www.amazon.com/Beyond-Unrated-Directors-Cut/dp/B000RPCK2O/ref=sr_1_1?ie=UTF8&s=dvd&qid=1243900380&sr=1-1
The trailer for From Beyond:
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