Giant winged monsters and birds are a common staple of science fiction films and I suspect they always will be. Monsters like Mothra and Rodan are well known and also well liked among the large community of giant monster movie fans, as is another Toho winged monster, King Ghidorah. Flying monstrosities are often featured in what are generally considered subpar films, to be sure, one of the more recent entries, and one I have great disdain for being Pterodactyl, a straight to video movie that utlimately, and not surprisingly, ended up on a quickie DVD release and currently makes the rounds on The Sci-Fi Channel. One of the earliest American films to fully showcase an enormous flying avian was 1957's The Giant Claw, produced by Columbia Pictures and directed by Fred Sears. It's been called a turkey in numerous DVD guides but I like it just the same. I guess there's no accounting for taste.
The film's story: a scientist named "Mitch McAfee", piloting a jet to test a new avionics system, witnesses a giant flying object. Later, on the ground, the scientist(played by Jeff Morrow), faces skepticism, even ridicule from his military colleagues, and a lovely female assistant(played by Mara Corday ). Not for long. Strange incidents begin happening, and eventually it is discovered that the cause is an absolutely gigantic bird, resembling a vulture and extraterrestrial in origin. The military's initial attempts to destroy the bird are futile, as it is determined that the enormous avian is shrouded in some kind of invisible, magnetic force screen. Meanwhile, the scientist(and his female colleague) discover the giant bird's egg, which the pair destroy with high powered rifle shots. The monster bird, predictably unhappy at the destruction of it's egg, renews it's attacks on populated areas with great ferocity. It is up to the scientists to determine how to solve the giant bird's force shield, in order to destroy it. (no other spoilers)
Observations: The Giant Claw is great fun for me to watch. There are some poorly rendered shots of the bird, no doubt, especially the effects shots used from Mitch McAfee's perspective as he first sees the gigantic space buzzard from the cockpit of his jet. A blurred shot of what looks to be a rubber chicken moving along a wire is used here. There are also some great shots as well, like when the flying monster attacks NYC and its skyscrapers, or when it swoops down and snatches up the train. Jeff Morrow is good as "Mitch McAfee", and Mara Corday is also solid, and beautiful(as always in these 50's films).
The film has been released to Region 1 DVD and is part of the DVD set Icons Of Horror Collection-Sam Katzman: http://www.superduperclub.net/col-d22074d.html
The trailer for The Giant Claw(1957):
Tuesday, October 14, 2008
Wednesday, October 8, 2008
Kaiju Galaxy
Every now and then I like to promote other websites and message boards. One such board is called Kaiju Galaxy, founded(and run) by Donny Winter. It's currently has over three hundred(300) members and 70,000 posts. "KG" has some of the best written fan fictions(kaiju related and not) that I've seen on the web. More than anything it's a discussion board that is a reflection of it's owner, and Donny has worked hard to make KG the site it is today.
For anyone who's interested in giant monsters, Godzilla, other Toho monsters, check out Kaiju Galaxy. You'll be glad you did!
The site URL: http://s4.invisionfree.com/KaijuGalaxy (or click the title of this blog to access "Kaiju Galaxy")
For anyone who's interested in giant monsters, Godzilla, other Toho monsters, check out Kaiju Galaxy. You'll be glad you did!
The site URL: http://s4.invisionfree.com/KaijuGalaxy (or click the title of this blog to access "Kaiju Galaxy")
Tuesday, September 16, 2008
A Load Of Boll: Seed(2007)
The only film I had on DVD directed by Uwe Boll, until a few days ago, was Bloodrayne, primarily because I'm a sucker for vampire flicks of any kind and also because I really like Kristanna Loken as a redhead in the title role.
Uwe Boll has, I believe justifiably, more than his fair share of critics who lambast the poor sets and overall production quality of his past films. Boll is also someone who is perceived as being arrogant, which makes him look even more like a buffoon in the eyes of movie fans and critics alike, especially in light of the mostly subpar movies he's cranked out.
I haven't seen Postal, a Uwe Boll helmed movie but I've seen trailers of this parody and it looks decent. Also leading me to think Boll is showing improvement in the director's chair: Seed, a 2007 horror film directed by Uwe Boll and just released to R1 DVD on 9/9/08.
Boll's Seed is a journey into the mind of a homicidal maniac, much like the "Saw" films explore Jigsaw and Eli Roth's "Hostel" films examine people who pay money in order to torture someone to death.
The villain in Seed(2007) is a bulky, masked and grubby looking man named Max Seed, who has, we learn, killed 666 people and videotaped every one of his murders, the police receiving Seed's tapes in the mail. (get the reference here? 666?) Seed is finally captured by a hard bitten cop named Matthew Bishop(played by Michael Pare), but not before Seed murders every uniformed police officer who accompanied Detective Bishop to Seed's boondocks hideout to apprehend the killer.
Fast forward to Max Seed being placed in the electric chair. You would think several jolts of 15,000 volts of electricity would kill a person. Not Max Seed. Despite remaining alive Seed is signed off as dead by the prison warden and attending physician, and unceremoniously buried alive. Predictably, Seed digs himself out of his pine box and the strata and sets off to kill those who took part in his electrocution and burial...including Detective Matthew Bishop. (no other spoilers)
Observations: As a horror movie "gorehound" I think Uwe Boll gets quite a few things right in this film as he "explores the depths of human brutality"(Boll's own words from the film's audio commentary).
What works for me:
-the villain, Max Seed, does not speak at all in the movie, which helps sustain a level of revulsion, and mystery, needed for this character
-the villain is absolutely merciless during his carnage, which is a necessity, I believe, for this genre of horror film
-the various effects shots used during Seed's carnage, in particular Seed blasting a captured female victim in the head over two hundred times with a hammer, is surprisingly realistic. Also, time lapse shots used while the cops look at Seed's videotaped abuse of his victims is effective. There's something very disturbing about watching a baby, an adult female, and a dog captured and then left to rot in a locked room. Boll's use of maggots during this part of the film is especially nasty.
-the performance of Michael Pare: the veteran actor doesn't phone in his performance, like he has done in other of his recent films. Pare is solid in this movie.
-the PETA animal abuse images at the beginning of the film: these images, from PETA archives, show animals, including dogs, being bludgeoned to death. Obviously this is disturbing and would not be easy for anyone to watch but it immediately sets the bleak tone for the film and frames, if you will, the mentality, or lack of, in the killer Max Seed as he sits in the room watching the clips of animal abuse on a TV set, mask over his head.
What I did not like:
-the production sets remain, judging by this movie, a work in progress for Uwe Boll. No doubt Mr. Boll is looking to save budget here and there.
-the acting of the secondary characters in this film is very average and at times below that
In summary: Seed(2007) is not, IMO, nearly as good as the other established "slasher" and gore horror movie franchises, like "Friday The 13th", "Halloween", "Saw" or even torture fests like the two "Hostel" films. For fans of this kind of horror film it is, however, worth a look on DVD rental and might be a "buy" for true hardcore fans of this kind of horror film. Seed(2007) is a functioning, and periodically entertaining, look at the apparent vacuum that exists in the mind and heart of a vicious maniac.
A promo trailer for Seed(2007):
Uwe Boll has, I believe justifiably, more than his fair share of critics who lambast the poor sets and overall production quality of his past films. Boll is also someone who is perceived as being arrogant, which makes him look even more like a buffoon in the eyes of movie fans and critics alike, especially in light of the mostly subpar movies he's cranked out.
I haven't seen Postal, a Uwe Boll helmed movie but I've seen trailers of this parody and it looks decent. Also leading me to think Boll is showing improvement in the director's chair: Seed, a 2007 horror film directed by Uwe Boll and just released to R1 DVD on 9/9/08.
Boll's Seed is a journey into the mind of a homicidal maniac, much like the "Saw" films explore Jigsaw and Eli Roth's "Hostel" films examine people who pay money in order to torture someone to death.
The villain in Seed(2007) is a bulky, masked and grubby looking man named Max Seed, who has, we learn, killed 666 people and videotaped every one of his murders, the police receiving Seed's tapes in the mail. (get the reference here? 666?) Seed is finally captured by a hard bitten cop named Matthew Bishop(played by Michael Pare), but not before Seed murders every uniformed police officer who accompanied Detective Bishop to Seed's boondocks hideout to apprehend the killer.
Fast forward to Max Seed being placed in the electric chair. You would think several jolts of 15,000 volts of electricity would kill a person. Not Max Seed. Despite remaining alive Seed is signed off as dead by the prison warden and attending physician, and unceremoniously buried alive. Predictably, Seed digs himself out of his pine box and the strata and sets off to kill those who took part in his electrocution and burial...including Detective Matthew Bishop. (no other spoilers)
Observations: As a horror movie "gorehound" I think Uwe Boll gets quite a few things right in this film as he "explores the depths of human brutality"(Boll's own words from the film's audio commentary).
What works for me:
-the villain, Max Seed, does not speak at all in the movie, which helps sustain a level of revulsion, and mystery, needed for this character
-the villain is absolutely merciless during his carnage, which is a necessity, I believe, for this genre of horror film
-the various effects shots used during Seed's carnage, in particular Seed blasting a captured female victim in the head over two hundred times with a hammer, is surprisingly realistic. Also, time lapse shots used while the cops look at Seed's videotaped abuse of his victims is effective. There's something very disturbing about watching a baby, an adult female, and a dog captured and then left to rot in a locked room. Boll's use of maggots during this part of the film is especially nasty.
-the performance of Michael Pare: the veteran actor doesn't phone in his performance, like he has done in other of his recent films. Pare is solid in this movie.
-the PETA animal abuse images at the beginning of the film: these images, from PETA archives, show animals, including dogs, being bludgeoned to death. Obviously this is disturbing and would not be easy for anyone to watch but it immediately sets the bleak tone for the film and frames, if you will, the mentality, or lack of, in the killer Max Seed as he sits in the room watching the clips of animal abuse on a TV set, mask over his head.
What I did not like:
-the production sets remain, judging by this movie, a work in progress for Uwe Boll. No doubt Mr. Boll is looking to save budget here and there.
-the acting of the secondary characters in this film is very average and at times below that
In summary: Seed(2007) is not, IMO, nearly as good as the other established "slasher" and gore horror movie franchises, like "Friday The 13th", "Halloween", "Saw" or even torture fests like the two "Hostel" films. For fans of this kind of horror film it is, however, worth a look on DVD rental and might be a "buy" for true hardcore fans of this kind of horror film. Seed(2007) is a functioning, and periodically entertaining, look at the apparent vacuum that exists in the mind and heart of a vicious maniac.
A promo trailer for Seed(2007):
Friday, September 12, 2008
Hell On Wheels: The Car(1977)
The decade of the 1970's was one great sojourn to the movie theater after another, spending an entire afternoon watching movies, playing video games like Galaga and Pac Man in the theater video arcades. There have been some great horror movies produced during the 70's and one in particular I like to revisit, by watching on DVD: The Car, a film released in May, 1977 by Universal, directed by Eliott Silverstein, and starring James Brolin, Kathleen Lloyd, John Marley, Ronny Cox and R.G. Armstrong.
The film's story: a mysterious black limousine with heaviliy tinted windows appears out of nowhere in the tiny Arizona town of Santa Ynez. The car immediately begins a murderous rampage by running over people and making the lives of others it comes in contact with absolutely miserable. Santa Ynez sheriff Wade Parent(played by James Brolin) has one hell of a problem on his hands, literally, as he and his deputies attempt to stop the marauding, and driverless, car from killing more people. As the movie progresses it becomes apparent to Sheriff Parent and his deputies that the mysterious and deadly black car may be something akin to a demon. (no other spoilers)
A surprisingly entertaining film, despite what I consider a preposterous theme. The action drives this film along and James Brolin is effective as the affable and laid back sheriff whose stress level understandably ramps up as the deadly black car terrorizes the citizenry of his town and those he's sworn to protect. Veteran character actor R.G. Armstrong is also a welcome presence in this movie. Camera mounted shots taken from the black limo from hell as it speeds along the dusty back roads of Santa Ynez, deputies cars in pursuit, also lends to the sense of dread and tension in this film.
The theatrical trailer for The Car:
The film's story: a mysterious black limousine with heaviliy tinted windows appears out of nowhere in the tiny Arizona town of Santa Ynez. The car immediately begins a murderous rampage by running over people and making the lives of others it comes in contact with absolutely miserable. Santa Ynez sheriff Wade Parent(played by James Brolin) has one hell of a problem on his hands, literally, as he and his deputies attempt to stop the marauding, and driverless, car from killing more people. As the movie progresses it becomes apparent to Sheriff Parent and his deputies that the mysterious and deadly black car may be something akin to a demon. (no other spoilers)
A surprisingly entertaining film, despite what I consider a preposterous theme. The action drives this film along and James Brolin is effective as the affable and laid back sheriff whose stress level understandably ramps up as the deadly black car terrorizes the citizenry of his town and those he's sworn to protect. Veteran character actor R.G. Armstrong is also a welcome presence in this movie. Camera mounted shots taken from the black limo from hell as it speeds along the dusty back roads of Santa Ynez, deputies cars in pursuit, also lends to the sense of dread and tension in this film.
The theatrical trailer for The Car:
Friday, September 5, 2008
Head Games: Scanners(1981)
There have been, over the decades, some truly marvelous horror movie directors: Terence Fisher, Roger Corman, Tobe Hooper, John Carpenter, Clive Barker, John Landis, Alfred Hitchcock, Mario Bava, Lucio Fulci and George Romero. While I am an admirer and fan of these directors I am especially fond of David Cronenberg. One of Cronenberg's films is a personal favorite of mine, a movie I first watched in a movie theater as a college freshman. I'm referring to Scanners, a film distributed by MGM, written and directed by David Cronenberg and originally released to theaters in January, 1981.
The film's story:
An underground group of people with formidable and destructive telepathic abilities, called "scanners", are a threat to mankind, lead by an especially powerful scanner named Darryl Revok(played by Michael Ironside), who wants to build a scanner "army" and dominate the world.
Opposing Revok is a another scanner named Cameron Vale(played by Stephen Lack), a man who knows nothing about his background and who is recruited by a scientist(played by Patrick McGoohan) specializing in the study of "scanners" to ultimately stop Darryl Revok. Through plot twists and turns we see both Cameron Vale and Darryl Revok use their scanning abilities to effective and often lethal effect on others. In the end the struggle comes down to a face off between Revok and Vale, with one important story line revelation preceding their final battle, and an ending that is, IMO, terrific and startling at the same time! (no other spoilers)
What works for me:
-Michael Ironside is very effective in the role of the antagonist "Darryl Revok". He's as mentally unstable as he is powerful, which makes for an unsettling combination in this film.
-The special makeup effects: marvelous, especially the infamous "exploding head" scene and the effects used to render the absolute carnage that Revok and Vale inflict upon each other in the final battle, a test of their respective scanning abilities.
What doesn't work for me:
-Stephen Lack, whose acting was, IMO, somewhat muted. He definitely lacked a "presence" in this movie, something that his bad guy counterpart Michael Ironside did not lack at all. I've always considered Michael Ironside a terrific character actor and this movie is confirmation.
This film is a clever and entertaining look at the science, and science fiction, of telepathy, mind control and all of its potentially ugly(and gory) undersides. One of David Cronenberg's early directorial efforts and a must have DVD for any self respecting fan of classic sci-fi and horror.
One of the trailers for Scanners(1981):
Here's the MGM Region 1 DVD of this film for sale at Deep Discount.com: http://www.deepdiscount.com/viewproduct.htm?productId=5753810
The film's story:
An underground group of people with formidable and destructive telepathic abilities, called "scanners", are a threat to mankind, lead by an especially powerful scanner named Darryl Revok(played by Michael Ironside), who wants to build a scanner "army" and dominate the world.
Opposing Revok is a another scanner named Cameron Vale(played by Stephen Lack), a man who knows nothing about his background and who is recruited by a scientist(played by Patrick McGoohan) specializing in the study of "scanners" to ultimately stop Darryl Revok. Through plot twists and turns we see both Cameron Vale and Darryl Revok use their scanning abilities to effective and often lethal effect on others. In the end the struggle comes down to a face off between Revok and Vale, with one important story line revelation preceding their final battle, and an ending that is, IMO, terrific and startling at the same time! (no other spoilers)
What works for me:
-Michael Ironside is very effective in the role of the antagonist "Darryl Revok". He's as mentally unstable as he is powerful, which makes for an unsettling combination in this film.
-The special makeup effects: marvelous, especially the infamous "exploding head" scene and the effects used to render the absolute carnage that Revok and Vale inflict upon each other in the final battle, a test of their respective scanning abilities.
What doesn't work for me:
-Stephen Lack, whose acting was, IMO, somewhat muted. He definitely lacked a "presence" in this movie, something that his bad guy counterpart Michael Ironside did not lack at all. I've always considered Michael Ironside a terrific character actor and this movie is confirmation.
This film is a clever and entertaining look at the science, and science fiction, of telepathy, mind control and all of its potentially ugly(and gory) undersides. One of David Cronenberg's early directorial efforts and a must have DVD for any self respecting fan of classic sci-fi and horror.
One of the trailers for Scanners(1981):
Here's the MGM Region 1 DVD of this film for sale at Deep Discount.com: http://www.deepdiscount.com/viewproduct.htm?productId=5753810
Saturday, August 23, 2008
Winging It: Mothra(1961)
As a kid I was delighted by the fact my father was also a fan of giant monster movies. Among his favorites were War Of The Gargantuas(1966), Godzilla King Of The Monsters(1956) and Godzilla Vs The Thing(1964). My father actually saw Godzilla Vs The Thing in a NYC movie theater in 1964 while he was on business there. My father's absolute favorite kaiju film of all time was Mothra(1961) , a film he also saw in a theater. It took me, admittedly, some time to "warm up" to this gigantic, lepidopteral monster. Mothra is widely considered the second most popular kaiju, after Godzilla. I'm certain this is a debatable issue. I've seen great debate about who gets second place in popularity after Godzilla at many message boards. What isn't subject to debate is that Mothra has appeared in over a half dozen other kaiju films and has a trilogy of films, released theatrically in the 1990's, that also showcase the winged creature. The first film this monster appeared in is still, IMO, the best, overall.
Mothra was released theatrically in Japan on July 30, 1961. It would reach American theaters later in May, 1962, released by Columbia Pictures, which had bought the North American rights to the Toho film.
The film's story:
A ship called the Daini Genyo Maru runs aground in a typhoon in the waters near Biru Island, located in an area of lingering radioactive fallout from repeated atomic tests conducted by the country of Rolisica. Four survivors from the wrecked ship are found by a search and rescue effort, curiously unaffected by the radiation in the area. To investigate the mystery further, the Rolisican government sponsors a Rolisican-Japanese expedition to study the island. There they find an isolated area of lush green vegetation, natives indigenous to the island, and two six inch tall girls. Deciding to leave the tiny girls and the island alone, the expedition departs Biru Island and returns to Japan. Unfortunately, entrepreneur Clark Nelson, in charge of the expedition, returns to the island and,with the help of his thugs, kidnap the tiny girls, cutting down the natives in a barrage of gunfire. Nelson immediately puts the tiny girls on a vaudevillian-like display as part of his "Secret Fairies" show, much to the disdain of other expedition members Shinichi Chujo, a linguist/anthropologist, Zenichiro Fukuda, a reporter, and Michi Hanamura, Fukuda's photographer and colleague. This trio implore Clark Nelson to relinquish the tiny girls. Nelson refuses. Result: a gigantic egg on Biru Island hatches, loosing an enormous caterpillar called "Mothra", which swims towards Japan, to "rescue" the two girls. The giant caterpillar, surviving an at sea napalm attack, and plowing through an ocean liner that happens to be in its way, reaches the Japanese mainland and begins it's search for the two little girls. (no other spoilers).
Observations:
This film has a decidedly "fantasy" feel about it, the story driven by the performance of (the late) Jerry Ito, who masterfully portrays vile, ego maniacal and greedy entrepreneur Clark Nelson. His performance makes it easy to despise him and cheer for Mothra to come and rescue the two island "fairies". The score, by Yuki Koseki, is sweeping, majestic and grand. The special effects, courtesy of Eiji Tsuburaya, are outstanding, the miniature effects and wirework effects used to bring Mothra to life a marvel to watch. The rendering of the larval Mothra is done through people inside a prop, Haruo Nakajima manning the "head" portion of the suit. The adult(flying) form is rendered through a large prop which is maneuvered via a system of overhead wires. Mattes are used quite a bit for Mothra's attack on the Rolisican metropolis called "New Kirk City". Other Toho actors in this movie include Hiroshi Koizumi as the linguist Shinichi Chujo, Frankie Sakai as Zenichiro Fukuda(nicknamed "Snapping Turtle" in the original film and "Bulldog" in the English dubbed version). Kyouko Kagawa, who played "Michi Hanamura", was very cute. Kenji Sahara has a small role as a helo pilot, Harold Conway portrays the Rolisican Ambassador, and Robert Dunham a Rolisican police detective.
The film, which did very well at the box office both in Japan and in the United States, was shot in color and 2:35.1 widescreen aspect ratio. It is available on Region 2 DVD and can be purchased via online order at either Yesasia.com or CDJapan, though in Japanese language only(no English subtitles). Recently it was announced that Sony will be releasing Mothra to R1 DVD in 2009 as part of a DVD set, which also includes the Toho films Battle In Outer Space(1959) and The H-Man(1958). Truly great news!
The film has appeared a few times on Turner Classic Movies, though not recently, in full frame format and in English dubbed audio.
The R2 DVD for sale at CDJapan: http://www.cdjapan.co.jp/detailview.html?KEY=TDV-2751D
The Japanese trailer for Mothra(1961):
Mothra was released theatrically in Japan on July 30, 1961. It would reach American theaters later in May, 1962, released by Columbia Pictures, which had bought the North American rights to the Toho film.
The film's story:
A ship called the Daini Genyo Maru runs aground in a typhoon in the waters near Biru Island, located in an area of lingering radioactive fallout from repeated atomic tests conducted by the country of Rolisica. Four survivors from the wrecked ship are found by a search and rescue effort, curiously unaffected by the radiation in the area. To investigate the mystery further, the Rolisican government sponsors a Rolisican-Japanese expedition to study the island. There they find an isolated area of lush green vegetation, natives indigenous to the island, and two six inch tall girls. Deciding to leave the tiny girls and the island alone, the expedition departs Biru Island and returns to Japan. Unfortunately, entrepreneur Clark Nelson, in charge of the expedition, returns to the island and,with the help of his thugs, kidnap the tiny girls, cutting down the natives in a barrage of gunfire. Nelson immediately puts the tiny girls on a vaudevillian-like display as part of his "Secret Fairies" show, much to the disdain of other expedition members Shinichi Chujo, a linguist/anthropologist, Zenichiro Fukuda, a reporter, and Michi Hanamura, Fukuda's photographer and colleague. This trio implore Clark Nelson to relinquish the tiny girls. Nelson refuses. Result: a gigantic egg on Biru Island hatches, loosing an enormous caterpillar called "Mothra", which swims towards Japan, to "rescue" the two girls. The giant caterpillar, surviving an at sea napalm attack, and plowing through an ocean liner that happens to be in its way, reaches the Japanese mainland and begins it's search for the two little girls. (no other spoilers).
Observations:
This film has a decidedly "fantasy" feel about it, the story driven by the performance of (the late) Jerry Ito, who masterfully portrays vile, ego maniacal and greedy entrepreneur Clark Nelson. His performance makes it easy to despise him and cheer for Mothra to come and rescue the two island "fairies". The score, by Yuki Koseki, is sweeping, majestic and grand. The special effects, courtesy of Eiji Tsuburaya, are outstanding, the miniature effects and wirework effects used to bring Mothra to life a marvel to watch. The rendering of the larval Mothra is done through people inside a prop, Haruo Nakajima manning the "head" portion of the suit. The adult(flying) form is rendered through a large prop which is maneuvered via a system of overhead wires. Mattes are used quite a bit for Mothra's attack on the Rolisican metropolis called "New Kirk City". Other Toho actors in this movie include Hiroshi Koizumi as the linguist Shinichi Chujo, Frankie Sakai as Zenichiro Fukuda(nicknamed "Snapping Turtle" in the original film and "Bulldog" in the English dubbed version). Kyouko Kagawa, who played "Michi Hanamura", was very cute. Kenji Sahara has a small role as a helo pilot, Harold Conway portrays the Rolisican Ambassador, and Robert Dunham a Rolisican police detective.
The film, which did very well at the box office both in Japan and in the United States, was shot in color and 2:35.1 widescreen aspect ratio. It is available on Region 2 DVD and can be purchased via online order at either Yesasia.com or CDJapan, though in Japanese language only(no English subtitles). Recently it was announced that Sony will be releasing Mothra to R1 DVD in 2009 as part of a DVD set, which also includes the Toho films Battle In Outer Space(1959) and The H-Man(1958). Truly great news!
The film has appeared a few times on Turner Classic Movies, though not recently, in full frame format and in English dubbed audio.
The R2 DVD for sale at CDJapan: http://www.cdjapan.co.jp/detailview.html?KEY=TDV-2751D
The Japanese trailer for Mothra(1961):
Friday, August 22, 2008
Monkey Business: King Kong Escapes(1967)
My great fondness for "Godzilla" movies has been long lasting. So, it turns out, is my affinity for King Kong, the giant ape who first appeared in American theaters in 1933 in King Kong. The giant ape would make his first appearance in a Toho film in 1962 when he was scaled to forty five meters in height to take on fifty meter tall Godzilla.
Five years later Kong would appear in another live action film, a collaboration between Rankin-Bass, an American company, and Toho, called King Kong Escapes. This 1967 film, based loosely on an episode of the 1966 Rankin-Bass "King Kong" cartoon series, was released in late 2005 on R1 DVD, paired with King Kong Vs Godzilla(1962), as a DVD two-disc pack, both films in their original aspect ratio of 2:35.1 and in English dubbed language track.
The story line of King Kong Escapes(1967) is fairly straightforward: UN CDR Carl Nelson(played by Rhodes Reason), his executive officer Nomura(played by Akira Takarada), and a nurse(played by Linda Miller), decide to check out nearby Mondo Island while the submarine Nelson commands undergoes repairs from damage incurred by an underwater landslide. The trio make landfall at Mondo Island and quickly learn that the island's indigenous animal life can be dangerous: a dinosaur who looks like Gorosaurus menaces Lt. Watson. Kong comes to the rescue and saves her, defeating his dinosaur adversary in jaw ripping fashion.
In the meantime Dr. Who(played by Eisei Amamoto) endeavors to harvest tons of the mysterious element X for his mysterious female financier(played by Mie Hama) who may, or may not, represent Communist China. To collect the glowing radioactive element X Dr. Who employs his own robot equivalent of King Kong, "MechaniKong", to get the material. The robot fails. Dr. Who then captures (the real) King Kong alive, lures Nelson/Nomura/Lt Watson to his arctic hideout and tries to use Kong, via hypnosis, to dig up the glowing material. Kong also fails and eventually escapes, Dr. Who in pursuit, which ends in Tokyo. The climax of the film features a brief battle on the ground between King Kong and his mechanical doppleganger, then a longer battle between the two high above the streets of Tokyo on the Tokyo Tower.
Observations: I've always liked this movie, despite its many failings.
Thumbs up:
1. Eisei Amamoto, whose portrayal of "Dr. Who" was, I thought, very good. He's easy to despise: hateful, vain, arrogant, ruthless, vampire-like in appearance, his facial features gaunt, his eyebrows pointy. Even more frightening about Amamoto's appearance: the absolute disaster inside his mouth, his set of choppers so bad they would give any self respecting dentist nightmares.
2. the score: I thought it was solid, especially the parts used during the Mechani-Kong sequences
3. the rendering of MechaniKong: the robot appeared to move convincingly robot like without looking like a piece of cardboard.
4. King Kong Vs the dinosaur: a nice battle and much better than Kong vs the serpent
5. the remaining cast overall: I liked the mix of American actors like Rhodes Reason and Japanese actors like Akira Takarada
6. the Tokyo Tower battle between Kong and MechaniKong
Thumbs down:
1. the Kong suit: though better, I thought, than the atrocious KK suit used in 1962's King Kong Vs Godzilla, that still isn't saying much. Many of the shots used also featured what appeared to be an alternate head, with an exaggerated leering look and over-sized lips. The zipper for the main suit can easily be seen along the back.
2. many of the water tank shots looked too much like water tanks, especially some of the background matte paintings
3. Kong vs the serpent: not what I consider a well rendered effects sequence, and lacked, like other scenes, high speed filming
4. wires are clearly visible during the scene where Dr. Who's helicopters swoop in to drop ether bombs around Kong.
Overall: I enjoy watching this movie a couple of times a year. Those wanting to see King Kong Escapes in Japanese language can buy the Region 2 DVD from Yesasia.com or from various internet DVD-R vendors who sell the R2 copy with English subtitles.
A promo clip(w/English subtitles) for King Kong Escapes(1967):
Five years later Kong would appear in another live action film, a collaboration between Rankin-Bass, an American company, and Toho, called King Kong Escapes. This 1967 film, based loosely on an episode of the 1966 Rankin-Bass "King Kong" cartoon series, was released in late 2005 on R1 DVD, paired with King Kong Vs Godzilla(1962), as a DVD two-disc pack, both films in their original aspect ratio of 2:35.1 and in English dubbed language track.
The story line of King Kong Escapes(1967) is fairly straightforward: UN CDR Carl Nelson(played by Rhodes Reason), his executive officer Nomura(played by Akira Takarada), and a nurse(played by Linda Miller), decide to check out nearby Mondo Island while the submarine Nelson commands undergoes repairs from damage incurred by an underwater landslide. The trio make landfall at Mondo Island and quickly learn that the island's indigenous animal life can be dangerous: a dinosaur who looks like Gorosaurus menaces Lt. Watson. Kong comes to the rescue and saves her, defeating his dinosaur adversary in jaw ripping fashion.
In the meantime Dr. Who(played by Eisei Amamoto) endeavors to harvest tons of the mysterious element X for his mysterious female financier(played by Mie Hama) who may, or may not, represent Communist China. To collect the glowing radioactive element X Dr. Who employs his own robot equivalent of King Kong, "MechaniKong", to get the material. The robot fails. Dr. Who then captures (the real) King Kong alive, lures Nelson/Nomura/Lt Watson to his arctic hideout and tries to use Kong, via hypnosis, to dig up the glowing material. Kong also fails and eventually escapes, Dr. Who in pursuit, which ends in Tokyo. The climax of the film features a brief battle on the ground between King Kong and his mechanical doppleganger, then a longer battle between the two high above the streets of Tokyo on the Tokyo Tower.
Observations: I've always liked this movie, despite its many failings.
Thumbs up:
1. Eisei Amamoto, whose portrayal of "Dr. Who" was, I thought, very good. He's easy to despise: hateful, vain, arrogant, ruthless, vampire-like in appearance, his facial features gaunt, his eyebrows pointy. Even more frightening about Amamoto's appearance: the absolute disaster inside his mouth, his set of choppers so bad they would give any self respecting dentist nightmares.
2. the score: I thought it was solid, especially the parts used during the Mechani-Kong sequences
3. the rendering of MechaniKong: the robot appeared to move convincingly robot like without looking like a piece of cardboard.
4. King Kong Vs the dinosaur: a nice battle and much better than Kong vs the serpent
5. the remaining cast overall: I liked the mix of American actors like Rhodes Reason and Japanese actors like Akira Takarada
6. the Tokyo Tower battle between Kong and MechaniKong
Thumbs down:
1. the Kong suit: though better, I thought, than the atrocious KK suit used in 1962's King Kong Vs Godzilla, that still isn't saying much. Many of the shots used also featured what appeared to be an alternate head, with an exaggerated leering look and over-sized lips. The zipper for the main suit can easily be seen along the back.
2. many of the water tank shots looked too much like water tanks, especially some of the background matte paintings
3. Kong vs the serpent: not what I consider a well rendered effects sequence, and lacked, like other scenes, high speed filming
4. wires are clearly visible during the scene where Dr. Who's helicopters swoop in to drop ether bombs around Kong.
Overall: I enjoy watching this movie a couple of times a year. Those wanting to see King Kong Escapes in Japanese language can buy the Region 2 DVD from Yesasia.com or from various internet DVD-R vendors who sell the R2 copy with English subtitles.
A promo clip(w/English subtitles) for King Kong Escapes(1967):
Thursday, August 21, 2008
Pit And The Pendulum(1961)
I have been a great fan of Vincent Price for the longest time. This man was, even before entering the horror movie genre, a very good actor. I think everyone would agree Vincent Price found his "niche", so to speak, acting in horror films. I have always liked many of his early horror movies, especially House Of Wax(1953) and The Fly(1958). Vincent Price starred in a handful of films, based on Edgar Allan Poe stories, directed by Roger Corman in the early 1960's as well, a group of movies that have, I believe, stood the test of time quite well. One of these Roger Corman directed films is an absolute personal favorite of mine, and also a favorite vehicle by which to watch Vincent Price, IMO a master of his craft, at work. The movie I'm referring to is Pit And The Pendulum, produced and directed by Roger Corman and released to theaters in 1961 by American International Pictures.
The film's story:
In 16th century Spain, Englishman Francis Barnard has sojourned to the seaside castle of Spaniard Nicholas Medina, to investigate the cause of his sister Elizabeth's untimely death. At the large and foreboding castle Barnard meets Nicholas Medina(played by Vincent Price), a physician, Medina's sister Dania, and Medina's butler. The Englishman demands details of his sister's death but, at least at first, few answers are forthcoming from the troubled Nicholas Medina, who is, we learn, teetering on the edge of a nervous breakdown. Medina has a gruesome and grisly family history, his father Sebastian one of the Spanish Inquisitions' most notorious torturers, as evidenced by the torture chamber located in the bowels of the castle.
In time it becomes apparent that Elizabeth may not really be dead, a fact that pushes Nicholas Medina closer to insanity. (no other spoilers)
Observations:
This film is, IMO, a great vehicle by which to showcase the acting talents of Vincent Price. Price is able to explore, and manifest, all of Nicholas Medina's psychological instabilities, and to great effect: paranoia, uncertainty, torment, guilt and finally an insanity filled revenge, acted out with ruthless efficiency on several of the other characters in this film. The score, by Les Baxter, is a moody amalgamation of keyboards and strings, and matches the movie's scenes quite well.
The film's sets will not, admittedly, blow one away but there appears to have been some effort to make the clothing worn by the characters commensurate with the setting(by year) and location of the movie. The best prop for Pit And The Pendulum is the castle's interior, replete with creaking doors, cobweb filled corridors, secret passageways, and the torture chamber itself, a somber collection of instruments used to maim and kill during the Spanish Inquisition. The pendulum is the most fearsome of these instruments, a swinging, razor sharp curved blade that swings back and forth above it's prone victim, lowering slightly with each swing...and you can guess what happens next.
The executive producers for this film might sound familiar: Samuel Z. Arkoff and James H. Nicholson, who partnered on many other sci-fi/horror films as producers.
The film also stars John Kerr as "Francis Barnard", Luana Anders as "Dania", Anthony Carbone as "Dr. Leon", and the exquisitely lovely Barbara Steele as "Elizabeth".
The R1 DVD of this film has been released by MGM in their "Midnite Movies" series and can be bought at a very affordable price at Amazon.com: http://www.amazon.com/Pit-Pendulum-Vincent...e/dp/B00005AUK4
The Midnite Movies DVD includes scene selection and a trailer for the film, which is presented in 2:35.1 widescreen aspect ratio.
The theatrical trailer for Pit And The Pendulum(1961):
The film's story:
In 16th century Spain, Englishman Francis Barnard has sojourned to the seaside castle of Spaniard Nicholas Medina, to investigate the cause of his sister Elizabeth's untimely death. At the large and foreboding castle Barnard meets Nicholas Medina(played by Vincent Price), a physician, Medina's sister Dania, and Medina's butler. The Englishman demands details of his sister's death but, at least at first, few answers are forthcoming from the troubled Nicholas Medina, who is, we learn, teetering on the edge of a nervous breakdown. Medina has a gruesome and grisly family history, his father Sebastian one of the Spanish Inquisitions' most notorious torturers, as evidenced by the torture chamber located in the bowels of the castle.
In time it becomes apparent that Elizabeth may not really be dead, a fact that pushes Nicholas Medina closer to insanity. (no other spoilers)
Observations:
This film is, IMO, a great vehicle by which to showcase the acting talents of Vincent Price. Price is able to explore, and manifest, all of Nicholas Medina's psychological instabilities, and to great effect: paranoia, uncertainty, torment, guilt and finally an insanity filled revenge, acted out with ruthless efficiency on several of the other characters in this film. The score, by Les Baxter, is a moody amalgamation of keyboards and strings, and matches the movie's scenes quite well.
The film's sets will not, admittedly, blow one away but there appears to have been some effort to make the clothing worn by the characters commensurate with the setting(by year) and location of the movie. The best prop for Pit And The Pendulum is the castle's interior, replete with creaking doors, cobweb filled corridors, secret passageways, and the torture chamber itself, a somber collection of instruments used to maim and kill during the Spanish Inquisition. The pendulum is the most fearsome of these instruments, a swinging, razor sharp curved blade that swings back and forth above it's prone victim, lowering slightly with each swing...and you can guess what happens next.
The executive producers for this film might sound familiar: Samuel Z. Arkoff and James H. Nicholson, who partnered on many other sci-fi/horror films as producers.
The film also stars John Kerr as "Francis Barnard", Luana Anders as "Dania", Anthony Carbone as "Dr. Leon", and the exquisitely lovely Barbara Steele as "Elizabeth".
The R1 DVD of this film has been released by MGM in their "Midnite Movies" series and can be bought at a very affordable price at Amazon.com: http://www.amazon.com/Pit-Pendulum-Vincent...e/dp/B00005AUK4
The Midnite Movies DVD includes scene selection and a trailer for the film, which is presented in 2:35.1 widescreen aspect ratio.
The theatrical trailer for Pit And The Pendulum(1961):
Saturday, August 16, 2008
Grin And Bear It: Prophecy(1979)
I remember as a high school junior venturing downtown several times and catching movies on the cheap at the old "Omni" theater, the theater itself part of "The Omni", which was a facility that included an arena where the Atlanta Hawks(NBA) and Atlanta Flames(NHL) played their home games. Movies cost just 99 cents to see on weekends and I sure saw a lot of them. One of my fondest memories of this theater came from watching a film of nature gone berserk and directed by John Frankenheimer: Prophecy(1979). This movie garnered average to poor ratings from film critics and has been generally reviewed as a pedestrian horror movie at best. A TV spot promoting this movie got my attention, as did the theatrical poster. The film was distributed by Paramount Pictures, and stars Robert Foxworth, Talia Shire, Armand Assante and Richard Dysart.
The film's story:
A public health physician named "Rob"(played By R. Foxworth) is asked by a colleague to conduct an environmental investigation into the impact of a local logging company on a large area of Maine woodland upcountry. The logging company's production of wood and paper products clashes with the local Indian community which wants to preserve the land from man made intrusion. Rob and his wife Maggie(Talia Shire) travel to Maine and soon see first hand just how polarized things are between employees of the local paper mill and the Native American Indian community there. Rob and his wife learn that the woods are being slowly contaminated by chemicals loosed into the local river, which has caused fatalities and deformities among both the Indian and local animal populace. Not coincidentally, there is something very large, very menacing, but yet unseen, prowling the woods around our main characters, that has brutally slaughtered a search and rescue party, a family on a camping sojourn, and which is now stalking Rob, his wife, and the pair of Native American Indians who're trying to help them with the investigation. Judging from the sounds of the creature it's safe to assume it damn sure ain't Smokey The Bear. The remainder of the movie focuses on the group which tries to escape the woods before the huge, mysterious monster can get to them. (no other spoilers).
What works in this film for me:
-The score: very bold, with lots of strings and urgent horns. The score adds real urgency, and dread, to many scenes in this film.
-The actors: Robert Foxworth and Talia Shire are solid, as is Armand Assante. Foxworth's "Rob" is the disillusioned doctor looking to make a difference in the world, Assante is the surly yet courageous Indian "John Hawks" who's trying to protect his people. Talia Shire is the demure wife of "Rob" who struggles to communicate with her husband. Richard Dysart's character, "Eisley", who represents the paper mill, is also good as the mill's bureaucratic and self confident representative, who ultimately must face the consequences of his mills' contamination of the local environment.
-The film's pace: the movie moves along very well. The tension and dread that builds in Prophecy is constant.
-The cinematography: director John Frankenheimer captures the rugged isolation and raw beauty of Maine's woodland up country very well. The woods take on, in a way, a life of their own once the characters are stranded on foot, and with the hulking, menacing mutated beast seemingly always lurking not too far away, concealed in the shadows and thickets of the trees.
-The small mutated creatures: sufficiently grotesque and possessing blood curdling cries. Not for the squeamish.
What doesn't work in this film for me:
-The large mutated creature: part bear(clearly evident from its appearance) and parts of other things altogether, this monster, while not what I would rate as terrible, still leaves a lot to be desired. Imagine a grizzly bear with severe psoriasis and a serious drooling problem. The growl, roar and heavy, ragged breathing of the giant, disfigured and rabid monster was, IMO, very good, but at times the creature's movements appeared sloppy and "loose". In other scenes the monster's movements were slower and more deliberate, what you would expect from something standing fifteen feet high(or more) and weighing well over half a ton.
Overall: Prophecy remains a personal favorite of mine. I watch it about twice a year. The movie has been released onto R1 DVD by Paramount. The disc includes an audio set up and scene selections. The film's aspect ratio is 2:35.1 widescreen.
Here's a TV promo clip, from 1979, of Prophecy: http://www.youtube.com/watch?v=8xyB1P-1kfI
Another intense scene where one of the campers is killed by the monster:
http://www.youtube.com/watch?v=7UXOo00wKQA&feature=related
Here's the film for sale on DVD at Amazon.com: http://www.amazon.com/Prophecy-Robert-Foxworth/dp/B00005RDAI
The film's story:
A public health physician named "Rob"(played By R. Foxworth) is asked by a colleague to conduct an environmental investigation into the impact of a local logging company on a large area of Maine woodland upcountry. The logging company's production of wood and paper products clashes with the local Indian community which wants to preserve the land from man made intrusion. Rob and his wife Maggie(Talia Shire) travel to Maine and soon see first hand just how polarized things are between employees of the local paper mill and the Native American Indian community there. Rob and his wife learn that the woods are being slowly contaminated by chemicals loosed into the local river, which has caused fatalities and deformities among both the Indian and local animal populace. Not coincidentally, there is something very large, very menacing, but yet unseen, prowling the woods around our main characters, that has brutally slaughtered a search and rescue party, a family on a camping sojourn, and which is now stalking Rob, his wife, and the pair of Native American Indians who're trying to help them with the investigation. Judging from the sounds of the creature it's safe to assume it damn sure ain't Smokey The Bear. The remainder of the movie focuses on the group which tries to escape the woods before the huge, mysterious monster can get to them. (no other spoilers).
What works in this film for me:
-The score: very bold, with lots of strings and urgent horns. The score adds real urgency, and dread, to many scenes in this film.
-The actors: Robert Foxworth and Talia Shire are solid, as is Armand Assante. Foxworth's "Rob" is the disillusioned doctor looking to make a difference in the world, Assante is the surly yet courageous Indian "John Hawks" who's trying to protect his people. Talia Shire is the demure wife of "Rob" who struggles to communicate with her husband. Richard Dysart's character, "Eisley", who represents the paper mill, is also good as the mill's bureaucratic and self confident representative, who ultimately must face the consequences of his mills' contamination of the local environment.
-The film's pace: the movie moves along very well. The tension and dread that builds in Prophecy is constant.
-The cinematography: director John Frankenheimer captures the rugged isolation and raw beauty of Maine's woodland up country very well. The woods take on, in a way, a life of their own once the characters are stranded on foot, and with the hulking, menacing mutated beast seemingly always lurking not too far away, concealed in the shadows and thickets of the trees.
-The small mutated creatures: sufficiently grotesque and possessing blood curdling cries. Not for the squeamish.
What doesn't work in this film for me:
-The large mutated creature: part bear(clearly evident from its appearance) and parts of other things altogether, this monster, while not what I would rate as terrible, still leaves a lot to be desired. Imagine a grizzly bear with severe psoriasis and a serious drooling problem. The growl, roar and heavy, ragged breathing of the giant, disfigured and rabid monster was, IMO, very good, but at times the creature's movements appeared sloppy and "loose". In other scenes the monster's movements were slower and more deliberate, what you would expect from something standing fifteen feet high(or more) and weighing well over half a ton.
Overall: Prophecy remains a personal favorite of mine. I watch it about twice a year. The movie has been released onto R1 DVD by Paramount. The disc includes an audio set up and scene selections. The film's aspect ratio is 2:35.1 widescreen.
Here's a TV promo clip, from 1979, of Prophecy: http://www.youtube.com/watch?v=8xyB1P-1kfI
Another intense scene where one of the campers is killed by the monster:
http://www.youtube.com/watch?v=7UXOo00wKQA&feature=related
Here's the film for sale on DVD at Amazon.com: http://www.amazon.com/Prophecy-Robert-Foxworth/dp/B00005RDAI
Saturday, August 9, 2008
Frankly Speaking: Frankenstein Meets The Space Monster(1965)
When the average person, horror movie fan or not, hears the word "Frankenstein", I would presume they would envision a mad doctor, or perhaps the monster created by the infamous mad doctor himself. Universal Studios and Hammer Studios have produced some truly marvelous Frankenstein films, and while all obviously varied in some way or another they all, still, featured a mad scientist named Frankenstein, a well stocked laboratory, and of course the often truly horrendous looking monster, which was made of sewn together body parts and re-animated through electricity.
One film went "off the beaten path" regarding the concept of the Frankenstein monster, and did so in what is widely considered bizarre fashion: Frankenstein Meets The Space Monster, a 79 minute, black and white sci-fi movie released in American theaters in September, 1965 by Allied Artists Pictures. The film had only a two week run in theaters, arguably the most memorable thing about this low budget shlocker, among those individuals, like myself, who are quite enamored with these kinds of films.
The film's story:
American rockets are being mysteriously blasted to bits after exiting Earth's atmosphere and entering the planet's orbit. In response, a pair of scientists, with the blessing of the military and NASA, put their latest creation, an android named Frank Saunders(played by Robert Reilly), into another rocket, which is sent into space to investigate the lost rockets. Unbeknownst to NASA an alien ship, from Mars, and orbiting the Earth, has been destroying the NASA manned rockets, and they do the same to Saunder's rocket, which is obliterated. The android manages to bail out and survive, the aliens landing nearby. A pair of the aliens attack Saunders with their weapons and the resulting blast grotesquely scorches off half of the android's face, also damaging Saunder's brain. The android immediately begins a wandering, almost drunkardly walkabout, killing numerous locals, who are understandably terrified at his disfigured appearance. Meanwhile, the aliens, led by a female, Princess Marcuzan(Marilyn Hanold), and a bald, pointy-eared accomplice (appropriately) named Doctor Nadir(Lou Cutell), order their crew to begin collecting human females for breeding purposes, as an atomic war has killed all the females on the red planet. In the last half-hour of this low-budget affair we are treated to an all out military assault on the alien's spaceship and a brief but intense battle between the disfigured android Frank Saunders and the alien's pet, a hulking monster called Mull.
Observations:
This film has achieved turkey status in the 2007 and 2008 DVD And Video Guides, understandable as it is a typical low-budget affair, with a storyline that is shaky at best, laughably poor special effects and acting that is, for the most part, absolutely atrocious. Still, IMO some turkeys can be enjoyed, even when it's not Thanksgiving. There are some interesting scenes in this movie, to be sure, the damaged android looks fairly grisly, and the battle between the android, Frank Saunders, and the space monster inside the alien ship at the climax is not altogether bad. This film is now officially available on DVD at www.darkskyfilms.com. The DVD presents this film in it's original aspect ratio of 1:85.1 and mono audio, and includes scene selection and a trailer. The Dark Sky Films DVD looks better than several DVD-Rs I've bought of this wonky old feature, hands down.
The film has also appeared on the market under titles like Mars Invades Puerto Rico, Mars Attacks Puerto Rico, and Operation San Juan.
The Dark Sky Films DVD of this movie: http://www.amazon.com/Frankenstein-Meets-M...d/dp/B000E991RU
The official trailer for the film:
One film went "off the beaten path" regarding the concept of the Frankenstein monster, and did so in what is widely considered bizarre fashion: Frankenstein Meets The Space Monster, a 79 minute, black and white sci-fi movie released in American theaters in September, 1965 by Allied Artists Pictures. The film had only a two week run in theaters, arguably the most memorable thing about this low budget shlocker, among those individuals, like myself, who are quite enamored with these kinds of films.
The film's story:
American rockets are being mysteriously blasted to bits after exiting Earth's atmosphere and entering the planet's orbit. In response, a pair of scientists, with the blessing of the military and NASA, put their latest creation, an android named Frank Saunders(played by Robert Reilly), into another rocket, which is sent into space to investigate the lost rockets. Unbeknownst to NASA an alien ship, from Mars, and orbiting the Earth, has been destroying the NASA manned rockets, and they do the same to Saunder's rocket, which is obliterated. The android manages to bail out and survive, the aliens landing nearby. A pair of the aliens attack Saunders with their weapons and the resulting blast grotesquely scorches off half of the android's face, also damaging Saunder's brain. The android immediately begins a wandering, almost drunkardly walkabout, killing numerous locals, who are understandably terrified at his disfigured appearance. Meanwhile, the aliens, led by a female, Princess Marcuzan(Marilyn Hanold), and a bald, pointy-eared accomplice (appropriately) named Doctor Nadir(Lou Cutell), order their crew to begin collecting human females for breeding purposes, as an atomic war has killed all the females on the red planet. In the last half-hour of this low-budget affair we are treated to an all out military assault on the alien's spaceship and a brief but intense battle between the disfigured android Frank Saunders and the alien's pet, a hulking monster called Mull.
Observations:
This film has achieved turkey status in the 2007 and 2008 DVD And Video Guides, understandable as it is a typical low-budget affair, with a storyline that is shaky at best, laughably poor special effects and acting that is, for the most part, absolutely atrocious. Still, IMO some turkeys can be enjoyed, even when it's not Thanksgiving. There are some interesting scenes in this movie, to be sure, the damaged android looks fairly grisly, and the battle between the android, Frank Saunders, and the space monster inside the alien ship at the climax is not altogether bad. This film is now officially available on DVD at www.darkskyfilms.com. The DVD presents this film in it's original aspect ratio of 1:85.1 and mono audio, and includes scene selection and a trailer. The Dark Sky Films DVD looks better than several DVD-Rs I've bought of this wonky old feature, hands down.
The film has also appeared on the market under titles like Mars Invades Puerto Rico, Mars Attacks Puerto Rico, and Operation San Juan.
The Dark Sky Films DVD of this movie: http://www.amazon.com/Frankenstein-Meets-M...d/dp/B000E991RU
The official trailer for the film:
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