Sunday, March 31, 2013
THE TEN COMMANDMENTS(1956) - trailer
I am not an evangelical person and haven't been for a long, long time. While not an atheist(by definition) I tend to be agnostic and my opinions regarding the existence of "God" remain fairly murky. Still, there are occasions when I like to believe that there is someone watching over all of us. Several movies inspire those thoughts inside me and one of them is a film I watch every year on ABC: The Ten Commandments(1956). This epic movie is, in my opinion, one of the best films ever made!
Saturday, March 16, 2013
Evan Brehany's The Smoking Storyteller
Due to an audio issue subtitles have been added to this video. Evan "G2Kmaster" Brehany is a member of two online communities, MONSTERLAND FORUMS and KAIJU GALAXY.
Sunday, March 10, 2013
Saturday, March 9, 2013
Arachno-mania: SPIDERS 3D(2013)
I recently ordered an "on demand" movie through my cable TV provider(A T & T U Verse) called SPIDERS 3D(2013)(in HD). This sci-fi/horror movie is
directed by Hungarian Tibor Takacs and stars Patrick Muldoon, William
Hope("Aliens" fans will recognize him as the guy who played LT Gorman in
the '86 film) and Christa Campbell.
As the title of this movie implies it's all about the spiders in this feature and you better believe there are a lot of them. The film's synopsis: a secret Russian space station is hit by small meteors and a large chunk of this station, which was home to some creepy alien DNA splicing with spiders, breaks off and crashes back to Earth, specifically impacting in New York city. Under the streets and inside the damaged subway station hostile, mutant alien spiders quickly replicate and take over the subway station. Military and scientists quarantine the area trapping a subway transit manager(Patrick Muldoon), his scientist wife(Christa Campbell) and their daughter inside the quarantine zone. Given how bloodthirsty and increasingly large the alien spider hybrids are becoming you can bet being in close proximity to them in and around the infected subway station is no day at the beach. Victims pile up, both military and civilian alike as these marauding and drooling spiders, armed with snapping jaws and razor sharp teeth, prey on soldiers and scientists alike. The lead scientist and officer in charge(William Hope) believe they can contain these arachnoid mutations which we learn were originally created by Soviet scientists way back in the 80's and during the last days of the Cold War in an effort to collect and militiarize(for lack of better word) the super strong silk made by these alien-spider mutants.
Despite the growing rampages of the three meter wide mutant spiders the worst is yet to come as everyone inside the quarantine zone soon discovers as the gargantuan queen spider-alien erupts out the subway and onto the streets above. This eight legged monster, as large as a two story house, squares off against the U.S. Army in a deserted area of the city. Eventually the colossal female spider descends back under the streets for one final showdown with subway transit manager "Jason Cole"(Patrick Muldoon). (no other spoilers)
Observations: while this movie has obvious production value limitations and predictably pedestrian acting the overall special effects and CGI effects are solid, especially those used to render the smaller(bot not small), three meter wide alien-spider hybrids. The CGI for the larger female queen spider isn't quite so realistic but by this point in the movie you won't care. There is some gore in this movie, mostly that of appendages chewed or torn off soldiers by the hostile spiders and a couple of shots showing soldiers ripped in half with blood and innards splattered all over the floor. Obviously not dinner time fare here but the gore in this film isn't over the top at all.
I like this movie for what it is: a discount budget sci-fi/horror action movie. It's definitely worth a Netflix rental but may be hit or miss as a DVD/Blu Ray purchase. I do think Spiders 3D(2013) is a definite upgrade from the typical "SyFy made for TV or original movie" celluloid garbage we horror and sci-fi fans are subjected to on a regular basis. This movie comes to DVD/BD on March 12, 2013.
To order SPIDERS 3D on Blu Ray click this link: SPIDERS 3D Blu Ray release
The trailer:
As the title of this movie implies it's all about the spiders in this feature and you better believe there are a lot of them. The film's synopsis: a secret Russian space station is hit by small meteors and a large chunk of this station, which was home to some creepy alien DNA splicing with spiders, breaks off and crashes back to Earth, specifically impacting in New York city. Under the streets and inside the damaged subway station hostile, mutant alien spiders quickly replicate and take over the subway station. Military and scientists quarantine the area trapping a subway transit manager(Patrick Muldoon), his scientist wife(Christa Campbell) and their daughter inside the quarantine zone. Given how bloodthirsty and increasingly large the alien spider hybrids are becoming you can bet being in close proximity to them in and around the infected subway station is no day at the beach. Victims pile up, both military and civilian alike as these marauding and drooling spiders, armed with snapping jaws and razor sharp teeth, prey on soldiers and scientists alike. The lead scientist and officer in charge(William Hope) believe they can contain these arachnoid mutations which we learn were originally created by Soviet scientists way back in the 80's and during the last days of the Cold War in an effort to collect and militiarize(for lack of better word) the super strong silk made by these alien-spider mutants.
Despite the growing rampages of the three meter wide mutant spiders the worst is yet to come as everyone inside the quarantine zone soon discovers as the gargantuan queen spider-alien erupts out the subway and onto the streets above. This eight legged monster, as large as a two story house, squares off against the U.S. Army in a deserted area of the city. Eventually the colossal female spider descends back under the streets for one final showdown with subway transit manager "Jason Cole"(Patrick Muldoon). (no other spoilers)
Observations: while this movie has obvious production value limitations and predictably pedestrian acting the overall special effects and CGI effects are solid, especially those used to render the smaller(bot not small), three meter wide alien-spider hybrids. The CGI for the larger female queen spider isn't quite so realistic but by this point in the movie you won't care. There is some gore in this movie, mostly that of appendages chewed or torn off soldiers by the hostile spiders and a couple of shots showing soldiers ripped in half with blood and innards splattered all over the floor. Obviously not dinner time fare here but the gore in this film isn't over the top at all.
I like this movie for what it is: a discount budget sci-fi/horror action movie. It's definitely worth a Netflix rental but may be hit or miss as a DVD/Blu Ray purchase. I do think Spiders 3D(2013) is a definite upgrade from the typical "SyFy made for TV or original movie" celluloid garbage we horror and sci-fi fans are subjected to on a regular basis. This movie comes to DVD/BD on March 12, 2013.
To order SPIDERS 3D on Blu Ray click this link: SPIDERS 3D Blu Ray release
The trailer:
Friday, March 1, 2013
GODZILLA 2000(1999) - Metaphorically speaking by Evan "G2KMaster" Brehany
In GODZILLA 2000(1999), Godzilla attacks nuclear power plants as a way of acting on his nuclear metaphor role a la fifteen(15) years earlier in THE RETURN OF GODZILLA(1984) ...and not attacking them to feed off the energy either - Godzilla
is nature talking!. While agencies are trying to find a new alternative
energy source, it seems things are not progessing fast enough for nature's
liking ... not that nature doesn't think humanity doesn't deserve a chance seeing as that Godzilla protects humans from a seemingly invincible foe.
With the human characters, particularly scientists, there is the resurgence of the "kill vs. study" Godzilla conflict. This argument, which has been in the franchise since the original 1954 Godzilla film, has the same arguments for the kill Godzilla argument: human safety. As Katagiri says, "in the meantime, he just levels Tokyo." For the opposing argument, there are two supporting details given. The lesser deals with the duality of humanity, those willing to make the sacrifices thinking of the possible greater good the study of Godzilla would bring as opposed to others who want to destroy Godzilla due to a lack of clear understanding of Godzilla (example: "Anything we don't understand, we try to destroy. The CCI is ground zero for that kind of lunacy"). Unlike previous entries, GODZILLA 2000 transforms the assumption that studying Godzilla would be beneficial for humans into reality as it ties into the plot, revealing the secret's of Godzilla's durability.
Of course the human characters in this Toho film are not aware of such themes. What they are aware of is that in this chapter of Japan's history with Godzilla, public opinion of Godzilla's treatment and use of the scientific knowledge surrounding Godzilla is radical enough to prompt people to work independently, pooling their resources and even getting their daughters involved with the study of Godzilla. Such is the struggle between Katagiri, one of most simple villains you will see in this movie franchise. His foil is Shinoda, who goes up against Katagiri's goverment funded Godzilla feud with his small, six member Godzilla Prediction Network(GPN) tasked with science based investigations of Godzilla. Meanwhile, we have the journalist Yuki who, unlike "Yuri Tachibana" from GODZILLA, MOTHRA & KING GHIDORAH-ALL OUT MONSTERS ATTACK(2001), is covering the actions of Godzilla as "hard news". Indeed, the end of Japan's "Tiger Economy" years, a subtext to films like GODZILLA VS KING GHIDORAH(1991), is now something that gives added significance and importance to the work the GPN is doing AND goes to reporter Yuki's intentions: the reporter does care about Shinoda and his daughter Io personally and isn't just a career driven(and financially exploited) reporter. Yuki is concerned that Io and Shinoda are both alright when their involvement in the extraterrestrial's plans turns deadly.
That is all what GODZILLA 2000 is about. When Shinoda says at the end of the movie, "Godzilla is inside each one of us", I believe he means that humans are coming closer to gaining redemption from Godzilla. Humans want to make points just like Godzilla and for the better. How? A good illustration of this is the ressurection of Orga which is an accident as efforts are made to find a new source of alternative energy all while characters like Shinoda try changing the official thinking from the tragic "we must kill the monster" to a world where Godzilla can just simply be contained and studied to benefit humanity.
The American trailer:
This analysis s courtesy of Evan "G2KMaster" Brehany, a resident of Warner Robins, Georgia and dedicated fan of Japanese kaiju films. Evan is now a contributor to "Packmule's Pen" and has graciously agreed to share some of his written submissions on Toho Godzilla films and other interests in this blog. Evan is member of MONSTERLAND FORUMS and KAIJU GALAXY.
With the human characters, particularly scientists, there is the resurgence of the "kill vs. study" Godzilla conflict. This argument, which has been in the franchise since the original 1954 Godzilla film, has the same arguments for the kill Godzilla argument: human safety. As Katagiri says, "in the meantime, he just levels Tokyo." For the opposing argument, there are two supporting details given. The lesser deals with the duality of humanity, those willing to make the sacrifices thinking of the possible greater good the study of Godzilla would bring as opposed to others who want to destroy Godzilla due to a lack of clear understanding of Godzilla (example: "Anything we don't understand, we try to destroy. The CCI is ground zero for that kind of lunacy"). Unlike previous entries, GODZILLA 2000 transforms the assumption that studying Godzilla would be beneficial for humans into reality as it ties into the plot, revealing the secret's of Godzilla's durability.
Of course the human characters in this Toho film are not aware of such themes. What they are aware of is that in this chapter of Japan's history with Godzilla, public opinion of Godzilla's treatment and use of the scientific knowledge surrounding Godzilla is radical enough to prompt people to work independently, pooling their resources and even getting their daughters involved with the study of Godzilla. Such is the struggle between Katagiri, one of most simple villains you will see in this movie franchise. His foil is Shinoda, who goes up against Katagiri's goverment funded Godzilla feud with his small, six member Godzilla Prediction Network(GPN) tasked with science based investigations of Godzilla. Meanwhile, we have the journalist Yuki who, unlike "Yuri Tachibana" from GODZILLA, MOTHRA & KING GHIDORAH-ALL OUT MONSTERS ATTACK(2001), is covering the actions of Godzilla as "hard news". Indeed, the end of Japan's "Tiger Economy" years, a subtext to films like GODZILLA VS KING GHIDORAH(1991), is now something that gives added significance and importance to the work the GPN is doing AND goes to reporter Yuki's intentions: the reporter does care about Shinoda and his daughter Io personally and isn't just a career driven(and financially exploited) reporter. Yuki is concerned that Io and Shinoda are both alright when their involvement in the extraterrestrial's plans turns deadly.
That is all what GODZILLA 2000 is about. When Shinoda says at the end of the movie, "Godzilla is inside each one of us", I believe he means that humans are coming closer to gaining redemption from Godzilla. Humans want to make points just like Godzilla and for the better. How? A good illustration of this is the ressurection of Orga which is an accident as efforts are made to find a new source of alternative energy all while characters like Shinoda try changing the official thinking from the tragic "we must kill the monster" to a world where Godzilla can just simply be contained and studied to benefit humanity.
The American trailer:
This analysis s courtesy of Evan "G2KMaster" Brehany, a resident of Warner Robins, Georgia and dedicated fan of Japanese kaiju films. Evan is now a contributor to "Packmule's Pen" and has graciously agreed to share some of his written submissions on Toho Godzilla films and other interests in this blog. Evan is member of MONSTERLAND FORUMS and KAIJU GALAXY.
Tuesday, February 26, 2013
ACORN whistle blower: Voter fraud played role in election
ACORN whistle blower: Voter fraud played role in election: A former employee of a controversial community organizers group said Friday that voter fraud may have played a role in last month’s presidential election.
I've had countless conversations with liberals who tell me voter fraud is a figment of a Republican's imagination. Really?
I've had countless conversations with liberals who tell me voter fraud is a figment of a Republican's imagination. Really?
Monday, February 25, 2013
GODZILLA VS MEGALON(1973) - a look back by Evan "G2KMaster" Brehany
GODZILLA VS MEGALON(1973), the fourth(4th) Godilla movie directed by Jun Fukuda, has the distinction of being the most viewed Godzilla film on the planet. This movie has been released as numerous VHS tape offerings, most of subpar quality as well as many cheapie R1 DVD releases. The only quality DVD releases are the Region 4 "Madman Entertainment", the Region 2 Toho and the Region 1 Mediablasters(Tokyo Shock), the latter void of extras but at least featuring the movie in its original widescreen(2:35.1) aspect ratio and with both English dubbed and Japanese language(w/English subtitles) audio options. This film, loaded(or overloaded) with stock footage from other Godzilla films, has been widely lampooned by both kaiju film fans and other casual fans of monster movies. Here is Evan Brehany's take on this film after his latest viewing of it:
- GODZILLA VS MEGALON as a satirical comedy -
Vincent Camby wrote a positive review for GODZILLA VS. MEGALON. That review showed that the legendary critic didn't pay attention to special effects in films from either side of the Pacific. This positive review for GODZILLA VS. MEGALON is different than that. If there had to be a thesis it would be that GODZILLA VS. MEGALON is Jun Fukuda's try at making a satirical Godzilla film. GODZILLA VS. MEGALON is full of irony, both practical and thematic when seen against the backdrop of the series up to that point. I believe this movie is an intentional comedy.
The thematic irony is that Megalon is going to fight Godzilla. Nuclear testing naturally awoke not one but two Godzillas. That was the Earth's natural reaction. Of course, as explained in the prologue, by 1973 mankind still detonated with atomic bombs including the Japanese whose nuclear tests would eventually damage and then destroy Ogasawara Island, a location which is the island designated to be "Monster Island" where all of Earth's monsters have been collected and incarcerated. As if a natural reaction isn't enough to these nuke detonations, a physical embodiment of the earth also reacts: the Seatopians. These subterranean dwellers, ticked off at humanity for atomic bomb tests, dispatch their enormous, insectoid monster "Megalon" in retaliation, the winged, roach like monster reaching Earth's surface and immediately beginning a wanton rampage. For the first time since the original Godzilla film, a kaiju completely ravages Tokyo without stop as Megalon attacks Tokyo and battles the JSDF. For all the monster's destructive power, it's hostile disposition and its rampage, Megalon isn't a very coordinated monster nor does it seem well skilled in combat against another kaiju(Godzilla).
Megalon does weird things all through the film. Megalon jumps into a damn, only to plow through it and topple over himself. Megalon performs an odd floating action which leads to a face plant. When first fighting Jet Jaguar, Megalon just looks dazed, swaying back and forth until he gets smacked into consciousness.
The Seatopians who operate on the Earth's surface in this movie are idiots, plain and simple, their bumbling tactics completely undermining their obvious goals. Examples of their idiocy include an odd car chase scene in which vehicles go up and down stairs: this bizarre car chase results in a Seatopian motorcyclist crashing into a barn, splattered in paint and never seen again. In the case of the primary two Seatopian spies (if you can call them such), it is interesting in that they choose to try to kidnap a stay at home scientist/inventor who has created an experimental robot, "Jet Jaguar". This colorful robot develops abilities and a self awareness that not even its inventor can foresee. The pair of bumbling Seatopian spies meet their end by both by two unasuming truckers and Megalon himself!
Though GODZILLA VS. MEGALON was originally planned by Toho to be a movie featuring Jet Jaguar only, Godzilla's more restricted presence in this movie is nevertheless well timed and obviously crucial to the movie's ending. We have seen in the past (particularly with GODZILA VS. HEDORAH) that Godzilla is capable of instinctively tracking down kaiju he is going to fight. Here we have a rather uninspired Godzilla: the monster doesn't want to do anything unless his eventual tag-team "buddy" Jet Jaguar helps him out. Godzilla initiating a straight on attack at Megalon? No: rather Jet Jaguar lead the charge. Walk through fire which Godzilla has done many times?-No again. When it comes to Godzilla's choice of attacks its mostly physical assaults: just beat Megalon with a tree, let him swallow his own napalm ball and use the next best ability to flying: sliding on his own tail! The lack of high speed filming is a real bummer during the kaiju combat scenes and don't even get me started on the heavy use of stock footage.
Many scenes, including Godzilla's reluctance to walk through fire, is interestingly enough scored to flute music you'd hear if it was a playful spring morning scene in a non-kaiju film. Reiichiro Manabe scores this film after having scored GODZILLA VS. HEDORAH. Now, Toho and company could have simply reused Ifukube themes (cut possible losses by following GIGAN's infuence as shown here with the abundance of stock footage) but instead of that they employ a composer who turned in the most bizarre score of the Godzilla film franchise up to this point.
Any kind of unifying seriousness comes from the protagonist "triumvirate" of scientist/inventor, his kid brother and the scientist's best friend. This human cast of "good guys" create Godzilla's partner "Jet Jaguar", get the JSDF involved AND are also the ones who jeopardize their own lives the most to save humanity. Despite the usual plot advances such as the characters trying to learn about the antagonists, we are subjected to quotes like, "that doesn't help us get any closer to the people behind all of this." Is it a comedic comeback or is it a pun on the often far fetched exposition the antagonists of the series have experienced up to this point? Other silly cast dialog includes "what side is Gigan on?" and "that's not too hard to guess". There is physical "slapstick" in this movie to boot with Jet Jaguar's servant-like bowing at the door and subsequent sucker punching a Seatopian in the stomach. In another sequence one of the Seatopians meets his end after two simple truck drivers simply push him over a hill!
At the end of the day my comedic interpretation of GODZILLA VS. MEGALON(1973) does not mean I don't regard it as a good film. When producing a comedy, it is inevitably hit or miss because such a comedy may or may not reach into the audience and make them laugh. If you haven't watched GODZILLA VS MEGALON or if you have seen it but not recently give it another look and decide for yourself if it strikes you as a comedy.
The American trailer:
This review was written by Evan "G2KMaster" Brehany, a dedicated fan of Godzilla, Godzilla movies and other Japanese fantasy/sci-fi cinema. Evan is a resident of Georgia(like myself) and lives in Warner Robins, Georgia. Evan and I have been friends through our shared adoration for Godzilla movies and Japanese kaiju "eiga" for over six years now. He is a valued member of my online community called Monsterland Forums and is also active on Facebook and at Donny Winter's online community called Kaiju Galaxy. Look for more reviews from Evan "G2KMaster" Brehany in the near future!
- GODZILLA VS MEGALON as a satirical comedy -
Vincent Camby wrote a positive review for GODZILLA VS. MEGALON. That review showed that the legendary critic didn't pay attention to special effects in films from either side of the Pacific. This positive review for GODZILLA VS. MEGALON is different than that. If there had to be a thesis it would be that GODZILLA VS. MEGALON is Jun Fukuda's try at making a satirical Godzilla film. GODZILLA VS. MEGALON is full of irony, both practical and thematic when seen against the backdrop of the series up to that point. I believe this movie is an intentional comedy.
The thematic irony is that Megalon is going to fight Godzilla. Nuclear testing naturally awoke not one but two Godzillas. That was the Earth's natural reaction. Of course, as explained in the prologue, by 1973 mankind still detonated with atomic bombs including the Japanese whose nuclear tests would eventually damage and then destroy Ogasawara Island, a location which is the island designated to be "Monster Island" where all of Earth's monsters have been collected and incarcerated. As if a natural reaction isn't enough to these nuke detonations, a physical embodiment of the earth also reacts: the Seatopians. These subterranean dwellers, ticked off at humanity for atomic bomb tests, dispatch their enormous, insectoid monster "Megalon" in retaliation, the winged, roach like monster reaching Earth's surface and immediately beginning a wanton rampage. For the first time since the original Godzilla film, a kaiju completely ravages Tokyo without stop as Megalon attacks Tokyo and battles the JSDF. For all the monster's destructive power, it's hostile disposition and its rampage, Megalon isn't a very coordinated monster nor does it seem well skilled in combat against another kaiju(Godzilla).
Megalon does weird things all through the film. Megalon jumps into a damn, only to plow through it and topple over himself. Megalon performs an odd floating action which leads to a face plant. When first fighting Jet Jaguar, Megalon just looks dazed, swaying back and forth until he gets smacked into consciousness.
The Seatopians who operate on the Earth's surface in this movie are idiots, plain and simple, their bumbling tactics completely undermining their obvious goals. Examples of their idiocy include an odd car chase scene in which vehicles go up and down stairs: this bizarre car chase results in a Seatopian motorcyclist crashing into a barn, splattered in paint and never seen again. In the case of the primary two Seatopian spies (if you can call them such), it is interesting in that they choose to try to kidnap a stay at home scientist/inventor who has created an experimental robot, "Jet Jaguar". This colorful robot develops abilities and a self awareness that not even its inventor can foresee. The pair of bumbling Seatopian spies meet their end by both by two unasuming truckers and Megalon himself!
Though GODZILLA VS. MEGALON was originally planned by Toho to be a movie featuring Jet Jaguar only, Godzilla's more restricted presence in this movie is nevertheless well timed and obviously crucial to the movie's ending. We have seen in the past (particularly with GODZILA VS. HEDORAH) that Godzilla is capable of instinctively tracking down kaiju he is going to fight. Here we have a rather uninspired Godzilla: the monster doesn't want to do anything unless his eventual tag-team "buddy" Jet Jaguar helps him out. Godzilla initiating a straight on attack at Megalon? No: rather Jet Jaguar lead the charge. Walk through fire which Godzilla has done many times?-No again. When it comes to Godzilla's choice of attacks its mostly physical assaults: just beat Megalon with a tree, let him swallow his own napalm ball and use the next best ability to flying: sliding on his own tail! The lack of high speed filming is a real bummer during the kaiju combat scenes and don't even get me started on the heavy use of stock footage.
Many scenes, including Godzilla's reluctance to walk through fire, is interestingly enough scored to flute music you'd hear if it was a playful spring morning scene in a non-kaiju film. Reiichiro Manabe scores this film after having scored GODZILLA VS. HEDORAH. Now, Toho and company could have simply reused Ifukube themes (cut possible losses by following GIGAN's infuence as shown here with the abundance of stock footage) but instead of that they employ a composer who turned in the most bizarre score of the Godzilla film franchise up to this point.
Any kind of unifying seriousness comes from the protagonist "triumvirate" of scientist/inventor, his kid brother and the scientist's best friend. This human cast of "good guys" create Godzilla's partner "Jet Jaguar", get the JSDF involved AND are also the ones who jeopardize their own lives the most to save humanity. Despite the usual plot advances such as the characters trying to learn about the antagonists, we are subjected to quotes like, "that doesn't help us get any closer to the people behind all of this." Is it a comedic comeback or is it a pun on the often far fetched exposition the antagonists of the series have experienced up to this point? Other silly cast dialog includes "what side is Gigan on?" and "that's not too hard to guess". There is physical "slapstick" in this movie to boot with Jet Jaguar's servant-like bowing at the door and subsequent sucker punching a Seatopian in the stomach. In another sequence one of the Seatopians meets his end after two simple truck drivers simply push him over a hill!
At the end of the day my comedic interpretation of GODZILLA VS. MEGALON(1973) does not mean I don't regard it as a good film. When producing a comedy, it is inevitably hit or miss because such a comedy may or may not reach into the audience and make them laugh. If you haven't watched GODZILLA VS MEGALON or if you have seen it but not recently give it another look and decide for yourself if it strikes you as a comedy.
The American trailer:
This review was written by Evan "G2KMaster" Brehany, a dedicated fan of Godzilla, Godzilla movies and other Japanese fantasy/sci-fi cinema. Evan is a resident of Georgia(like myself) and lives in Warner Robins, Georgia. Evan and I have been friends through our shared adoration for Godzilla movies and Japanese kaiju "eiga" for over six years now. He is a valued member of my online community called Monsterland Forums and is also active on Facebook and at Donny Winter's online community called Kaiju Galaxy. Look for more reviews from Evan "G2KMaster" Brehany in the near future!
Sunday, February 24, 2013
Christian Vote - site updates
I've made a significant number of updates to CHRISTIAN VOTE, a website funded by one of my closest friends and maintained by yours truly. Between now and the next presidential election(in 2016) we will be focusing on government corruption, government waste & voter fraud all of which is unfortunately in great abundance in the United States. As always "Christian Vote" is dedicated to exposing and stopping liberal media bias which has become rampant in U.S. politics(at all levels) and undermines the security and economic prosperity of America. To access CHRISTIAN VOTE click the below link:
christian vote
christian vote
Monday, February 18, 2013
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